(In a break
room, Director and Second Assistant Director are sprawled out on opposite ends
of a couch, each reading and marking up copies of the same script)
Director:
(Abruptly lowers the script) I really want to go to Fiji this year.
Second Unit
Director: (Not looking up) Why?
Director:
Because that’s where everyone says they want to go on vacation, so I wanna go
there, too.
Second Unit
Director: I’d actually rather go somewhere cold, like Reykjavík.
Director: You’re
a weirdo anyway – fact is, I really wanna go on vacation somewhere that I can
pretend is in its own bubble of paradise for at least four days and three
nights, but I’m working back-to-back projects all the time that I can never do
anything fun anymore.
Second Unit
Director: Well, that pretty much comes with the territory when you advance
through the filmmaking ranks to become “The Director”.
Director:
Doesn’t mean I have to like it! (There
is a knock on the door) What?!
Production
Assistant: (Opens the door and sticks head into the room) Boss? DP wants to do another take of Scene 317 in
five.
Director:
(Coolly) You can tell “DP” that just because the word “Director” is in the
title it does not mean that dictates can be made to the entire company, and also
that the other word “Photography” is the one that should be minded instead!
Production
Assistant: Says we’re gonna lose the light coming in from the windows in less
than an hour.
Director: Oh,
the light, the light! Fine, I’ll be
right out.
Production
Assistant: Thanks, Boss. (Ducks out)
Director: (To
Second Unit Director) You see what I mean?
Even my work time is taken away from me for other people’s work time –
(Shakes the script in emphasis) I can’t even concentrate on blocking scenes because
“we’re gonna lose the light!” (Flings
away the script dramatically and flings self back onto the couch, also
dramatically)
Second Unit
Director: (Flips through pages of the script thoughtfully, stopping at a point)
You know, those scenes that take place during the war probably need to be
filmed on location.
Director: (Holds
head in aggravation) Ugh, don’t remind me!
I’ve squeezed as much of the budget as I could on special effects so we
could film on the soundstage, but I just know no one’s gonna buy the war
bits unless they’re legitimately outdoors.
How’m I gonna transport thousands of cast, crew, and equipment on a
literal shoestring?!
Second Unit
Director: I dunno, but however you manage it, it probably could be filmed in Fiji.
Director: (Head
pops up) Eh?
Second Unit
Director: Or somewhere similarly tropical, where they don’t mind us messing up
the place as long as we clean up afterward.
Director: I
don’t follow: even in a new location, I’d still be overworked and undervacationed.
Second Unit
Director: It’s basically a busman’s holiday: you’re working, but you’re really
on vacation. Or, you’re on vacation, but
you’re really working – depends on what mood you’re in is how you’d feel about the
whole thing, I suppose.
Director:
(Stares off into the distance while performing mental calculations) Five days
of filming… downtime for scene changes… no night shoots needed so free time
then… build in two days for inevitable travel delays… this might actually work.
Second Unit
Director: Of course it will: it won’t be a stress-free holiday, sure, but
you’ll get your tropical paradise getaway in 10-15 minute increments, at least.
Director: (Looks
back at Second Unit Director) This is the answer to everything – you’re an
absolute GENIUS!
Second Unit
Director: Darn tootin’ – does that mean you’ll finally promote me from Second
Unit Director to First Assistant Director?
Director: I’ll
certainly think about it! (Leaps off the
couch with the script and runs to the door, then turns back) Hold on – shouldn’t
you be off filming the background shots for the auditorium scene?
Second Unit
Director: Already did it: your current First A.D. is the one who’s missing
deadlines.
Director:
(Cringes) Oh – right – I should get on that.
(Runs out of the break room to the main sound stage where a large crowd
is gathered) All right, everyone, listen up!
(The crowd turns to face Director) I don’t know how, I don’t know when, and
I don’t know where, but pack your bags because sooner rather than later we are
filming Scenes 551-578 on location!
Cast and Crew:
Yaaaaaayyyyyy!!!!!... Ohhhhhh….
Director: What?
Director of
Photography: What location, exactly?
Director:
Someplace Fiji-like – I haven’t figured out the logistics yet, but that’s the
First A.D.’s job anyway.
First Assistant Director:
(Stops biting nails on hearing title) Huh?
Director: So
anyway, all you all need to know is, this is happening.
Director of
Photography: But the light –
Director: THIS
IS HAPPENING!
THREE-AND-A-HALF
WEEKS LATER
(On a tropical
island’s beach in the early morning, Director stands barefoot in the gently
lapping surf while staring at the calm ocean)
Director:
Ahhhhh… paradise at last. (Closes eyes,
breathes in the sea air and exhales it fully, turns around to face the beach,
and whips out a megaphone) All right, everyone, let’s pick up the pace here, I
want to start filming in 10! (Walks back
onto the beach that has been taken over by the film’s cast, crew, and
equipment)
Stunt
Coordinator: (Jogs up to Director) You want us to run through the combat
choreography between takes today, Boss?
Director: If you
like, but only if you feel it’s necessary – just make sure your team’s relaxed
and pampered.
Stunt
Coordinator: Boss?
Director: I
mean, limber and pepped up!
Stunt
Coordinator: Got it. (Jogs away)
Actor: (Jogs up
to Director) Boss, I hate to be a stick in the mud, but the Sun and sand here
are really doing a number on my skin.
Director:
(Distractedly while picking up and examining a huge seashell) Oh? How so?
Actor: I’m all
puffy and peeling everywhere, and the combination is exponentially worse than
either one of them would have been on its own.
Director:
(Tosses away the seashell) Well, that’s what Makeup Department’s for – (Finally
faces Actor and double-takes) Whoa! Yeah,
that is pretty bad. (Starts looking
around the beach and whips out the megaphone again) Makeup! Would someone from Makeup get over here
please and fix this disaster! We’re
starting in eight!
Production
Assistant: (Jogs up to Director as Actor is taken away by someone from Makeup,
and holds out a satellite phone) Boss, someone from some parasailing company
said they wanted to speak with you – think it might be a scam?
Director: Ooh,
no, I’ll take it, thanks. (Takes the
phone and talks while walking through the beach checking on equipment and
people) Hi, thanks for calling me back – listen, my main question for you is,
what’s the exact weight limit on those things, hm?... Well, I’m gonna have a
heavy-duty film camera, two phones, and a boom mic in addition to… my average
human weight…. I know you offer video packages, but I’m doing this for
something less amateur, and I’m not supposed to be in the shot anyway…. No,
please be very emphatic that they do not dunk me in the ocean at the
end; do you want to see a grown adult bawl like a baby after damaging thousands
of dollars’ worth of equipment?!
Former Second
Unit Director, Now First Assistant Director: (Jogs up to Director) Hey, Boss?
Director: (To
the phone) We’ll finalize the details later – tell the boat captain I want at
least a solid hour up in the air, OK-thanks-bye! (Ends the call and turns to First Assistant
Director): Yep?
First Assistant
Director: We’re ready to start filming but the gentle breeze has been whipping
up the sand and it’s gunking up the equipment.
Director: So just
shake it all out!
First Assistant
Director: It’s not exactly that simple….
Production
Assistant: (After listening to another crew member) Boss, we’ve got some rogue
crabs wandering onto the set, and we’re not sure how to shoo them off without
crushing them or getting our toes pinched.
Director: Gimme
a minute. (Turns to the ocean and raises
both arms straight up)
First Assistant
Director: What are you doing?!
Director:
Mountain pose; AKA: Tadasana. I had to
cut my yoga session short this morning so I’m trying to finish it up now. (Flattens down to the ground, then rises up to
cobra pose) Should be done in about 15 minutes.
(Inhales loudly)
First Assistant
Director: We’re filming in two!
Director:
(Exhales loudly) Right. Forgot. (Jumps back up and whips out the megaphone
again) Places, everyone! Let’s make some
movie magic!
Production
Assistant: But what about the crabs?!
Director: (Lowering
the megaphone) Dig a trench or something around the set – that should make them
think twice about trespassing, I’ll bet.
(First Assistant
Director and Production Assistant jog back into the fray while shaking their
heads in exasperation and passing Resort Employee who is being escorted by a
security guard)
Resort Employee:
(Approaches Director while holding out a tray with a drink that has a
mini-umbrella sticking out of it) Your non-alcoholic strawberry daiquiri?
Director: Ah
yes, perfect timing. (Takes the drink
while handing Resort Employee a tip) Keep `em coming, will you please?
Resort Employee:
(Deftly pocketing the tip) Gladly.
(Leaves with the security guard)
Director:
(Facing the main part of the outdoor set while speaking into the megaphone
again) Aaaaand… action! (Sets down the
megaphone and lounges in a beach chair placed in front of a bank of monitors
while the scene commences, leaning back to take a nap) Yes indeedy, I sure could
get used to filming on location, all – the – time.