Story 549: How to Get the Vacation You Want

            (In a break room, Director and Second Assistant Director are sprawled out on opposite ends of a couch, each reading and marking up copies of the same script)

Director: (Abruptly lowers the script) I really want to go to Fiji this year.

Second Unit Director: (Not looking up) Why?

Director: Because that’s where everyone says they want to go on vacation, so I wanna go there, too.

Second Unit Director: I’d actually rather go somewhere cold, like Reykjavík.

Director: You’re a weirdo anyway – fact is, I really wanna go on vacation somewhere that I can pretend is in its own bubble of paradise for at least four days and three nights, but I’m working back-to-back projects all the time that I can never do anything fun anymore.

Second Unit Director: Well, that pretty much comes with the territory when you advance through the filmmaking ranks to become “The Director”.

Director: Doesn’t mean I have to like it!  (There is a knock on the door) What?!

Production Assistant: (Opens the door and sticks head into the room) Boss?  DP wants to do another take of Scene 317 in five.

Director: (Coolly) You can tell “DP” that just because the word “Director” is in the title it does not mean that dictates can be made to the entire company, and also that the other word “Photography” is the one that should be minded instead!

Production Assistant: Says we’re gonna lose the light coming in from the windows in less than an hour.

Director: Oh, the light, the light!  Fine, I’ll be right out.

Production Assistant: Thanks, Boss.  (Ducks out)

Director: (To Second Unit Director) You see what I mean?  Even my work time is taken away from me for other people’s work time – (Shakes the script in emphasis) I can’t even concentrate on blocking scenes because “we’re gonna lose the light!”  (Flings away the script dramatically and flings self back onto the couch, also dramatically)

Second Unit Director: (Flips through pages of the script thoughtfully, stopping at a point) You know, those scenes that take place during the war probably need to be filmed on location.

Director: (Holds head in aggravation) Ugh, don’t remind me!  I’ve squeezed as much of the budget as I could on special effects so we could film on the soundstage, but I just know no one’s gonna buy the war bits unless they’re legitimately outdoors.  How’m I gonna transport thousands of cast, crew, and equipment on a literal shoestring?!

Second Unit Director: I dunno, but however you manage it, it probably could be filmed in Fiji.

Director: (Head pops up) Eh?

Second Unit Director: Or somewhere similarly tropical, where they don’t mind us messing up the place as long as we clean up afterward.

Director: I don’t follow: even in a new location, I’d still be overworked and undervacationed.

Second Unit Director: It’s basically a busman’s holiday: you’re working, but you’re really on vacation.  Or, you’re on vacation, but you’re really working – depends on what mood you’re in is how you’d feel about the whole thing, I suppose.

Director: (Stares off into the distance while performing mental calculations) Five days of filming… downtime for scene changes… no night shoots needed so free time then… build in two days for inevitable travel delays… this might actually work.

Second Unit Director: Of course it will: it won’t be a stress-free holiday, sure, but you’ll get your tropical paradise getaway in 10-15 minute increments, at least.

Director: (Looks back at Second Unit Director) This is the answer to everything – you’re an absolute GENIUS!

Second Unit Director: Darn tootin’ – does that mean you’ll finally promote me from Second Unit Director to First Assistant Director?

Director: I’ll certainly think about it!  (Leaps off the couch with the script and runs to the door, then turns back) Hold on – shouldn’t you be off filming the background shots for the auditorium scene?

Second Unit Director: Already did it: your current First A.D. is the one who’s missing deadlines.

Director: (Cringes) Oh – right – I should get on that.  (Runs out of the break room to the main sound stage where a large crowd is gathered) All right, everyone, listen up!  (The crowd turns to face Director) I don’t know how, I don’t know when, and I don’t know where, but pack your bags because sooner rather than later we are filming Scenes 551-578 on location!

Cast and Crew: Yaaaaaayyyyyy!!!!!... Ohhhhhh….

Director: What?

Director of Photography: What location, exactly?

Director: Someplace Fiji-like – I haven’t figured out the logistics yet, but that’s the First A.D.’s job anyway.

First Assistant Director: (Stops biting nails on hearing title) Huh?

Director: So anyway, all you all need to know is, this is happening.

Director of Photography: But the light –

Director: THIS IS HAPPENING!

THREE-AND-A-HALF WEEKS LATER

(On a tropical island’s beach in the early morning, Director stands barefoot in the gently lapping surf while staring at the calm ocean)

Director: Ahhhhh… paradise at last.  (Closes eyes, breathes in the sea air and exhales it fully, turns around to face the beach, and whips out a megaphone) All right, everyone, let’s pick up the pace here, I want to start filming in 10!  (Walks back onto the beach that has been taken over by the film’s cast, crew, and equipment)

Stunt Coordinator: (Jogs up to Director) You want us to run through the combat choreography between takes today, Boss?

Director: If you like, but only if you feel it’s necessary – just make sure your team’s relaxed and pampered.

Stunt Coordinator: Boss?

Director: I mean, limber and pepped up!

Stunt Coordinator: Got it.  (Jogs away)

Actor: (Jogs up to Director) Boss, I hate to be a stick in the mud, but the Sun and sand here are really doing a number on my skin.

Director: (Distractedly while picking up and examining a huge seashell) Oh?  How so?

Actor: I’m all puffy and peeling everywhere, and the combination is exponentially worse than either one of them would have been on its own.

Director: (Tosses away the seashell) Well, that’s what Makeup Department’s for – (Finally faces Actor and double-takes) Whoa!  Yeah, that is pretty bad.  (Starts looking around the beach and whips out the megaphone again) Makeup!  Would someone from Makeup get over here please and fix this disaster!  We’re starting in eight!

Production Assistant: (Jogs up to Director as Actor is taken away by someone from Makeup, and holds out a satellite phone) Boss, someone from some parasailing company said they wanted to speak with you – think it might be a scam?

Director: Ooh, no, I’ll take it, thanks.  (Takes the phone and talks while walking through the beach checking on equipment and people) Hi, thanks for calling me back – listen, my main question for you is, what’s the exact weight limit on those things, hm?... Well, I’m gonna have a heavy-duty film camera, two phones, and a boom mic in addition to… my average human weight…. I know you offer video packages, but I’m doing this for something less amateur, and I’m not supposed to be in the shot anyway…. No, please be very emphatic that they do not dunk me in the ocean at the end; do you want to see a grown adult bawl like a baby after damaging thousands of dollars’ worth of equipment?!

Former Second Unit Director, Now First Assistant Director: (Jogs up to Director) Hey, Boss?

Director: (To the phone) We’ll finalize the details later – tell the boat captain I want at least a solid hour up in the air, OK-thanks-bye!  (Ends the call and turns to First Assistant Director): Yep?

First Assistant Director: We’re ready to start filming but the gentle breeze has been whipping up the sand and it’s gunking up the equipment.

Director: So just shake it all out!

First Assistant Director: It’s not exactly that simple….

Production Assistant: (After listening to another crew member) Boss, we’ve got some rogue crabs wandering onto the set, and we’re not sure how to shoo them off without crushing them or getting our toes pinched.

Director: Gimme a minute.  (Turns to the ocean and raises both arms straight up)

First Assistant Director: What are you doing?!

Director: Mountain pose; AKA: Tadasana.  I had to cut my yoga session short this morning so I’m trying to finish it up now.  (Flattens down to the ground, then rises up to cobra pose) Should be done in about 15 minutes.  (Inhales loudly)

First Assistant Director: We’re filming in two!

Director: (Exhales loudly) Right.  Forgot.  (Jumps back up and whips out the megaphone again) Places, everyone!  Let’s make some movie magic!

Production Assistant: But what about the crabs?!

Director: (Lowering the megaphone) Dig a trench or something around the set – that should make them think twice about trespassing, I’ll bet. 

(First Assistant Director and Production Assistant jog back into the fray while shaking their heads in exasperation and passing Resort Employee who is being escorted by a security guard)

Resort Employee: (Approaches Director while holding out a tray with a drink that has a mini-umbrella sticking out of it) Your non-alcoholic strawberry daiquiri?

Director: Ah yes, perfect timing.  (Takes the drink while handing Resort Employee a tip) Keep `em coming, will you please?

Resort Employee: (Deftly pocketing the tip) Gladly.  (Leaves with the security guard)

Director: (Facing the main part of the outdoor set while speaking into the megaphone again) Aaaaand… action!  (Sets down the megaphone and lounges in a beach chair placed in front of a bank of monitors while the scene commences, leaning back to take a nap) Yes indeedy, I sure could get used to filming on location, all – the – time.

Story 515: Fame Without Celebrity

             (In a lecture hall at a convention center, a session begins that will feature the stars of an upcoming blockbuster film)

Director: (Standing on a stage next to a long table with microphones and nameplates at intervals for each chair and addressing the audience) Hello, nerds!

Audience: (Applauding wildly) Woooooooooo!!!!!!!!!!

Director: Thank you for spending your hard-earned or nonexistent money to come here today and listen to us tease a movie that’ll premier at least a year from now, if we’re lucky.

Audience: (Applauding wildly again) Woooooooooo!!!!!!!!!!

Director: And now, without further ado, here are the stars you’ve all come to see!  (Flings out the arm not holding the microphone toward stage left, where several actors enter smiling and waving at the audience and then sit at table with their matching nameplate)

Audience: (Now standing while applauding wildly) WOOOOOOOOOO!!!!!!!!!!

(One actor, whose chair is at the exact center of the table, enters last wearing a cap with his head tucked down and not smiling or waving as he zooms straight to the seat and sits in a slouch, hands folded in his lap and not looking up)

Director: (Smiling fondly at the group) My shining film family: what a journey we’ve taken, what adventures we’ve shared, what stories we have to tell.  Forever friendships made through our shared journey… (Almost all the actors at the table nod in agreement) that’ll end with us probably never seeing each other again after we finish the publicity tour.  Now – (To the audience) where’s our first question for our lil’ gang here?  (Sees a crew member bring a microphone to an audience member) Yes, you first – hi!

Audience Member 1: Hi!  (Points to the actor seated at the center of the table) My question is for Chad right there, who seems to be hiding from us; hiiiiiii Chaaaaad!

Chad: (Lifts head up slightly) Hi.  (Heads goes back down)

Audience Member 1: So, my question is, how does it feel to be suddenly thrust into superstardom when you landed the lead role in this humongous film that millions of fans of the franchise have been begging to see for literally decades?!

Audience: Squeeeeeee!!!!!

Chad: (Looks up slightly) How… does it feel?

Audience Member 1: Yes, especially since you’ve been in the industry for a while in only supporting roles, and now, all at once, you are IT!

Director: (Applauding with the audience and co-stars) Yeah, Chad!  I had final say on casting him, by the way.

Chad: (Thinks for a few moments) Well… it feels....

Director: (As the moments stretch into uncomfortable silence) Pretty cool, I bet, right?

Audience: Ahahahahahaha!

Chad: Actually, the whole thing kind of stinks.

Audience: Ahahaha – ha?

Chad: (Leans forward to speak more into the table microphone) I mean, I liked my career – my life – the way it was: it was steady work and I could go out and do pretty much whatever I wanted.  When I got this role, I figured, “Sure, whatever, bump in pay, right?”  Little did I know, I was signing an invisible contract that meant life as I knew it was now over!

Director: Heh-heh; oh Chad, we all know the perils of fame –

Chad: (To Director) Do we?!  I only auditioned for the part because my now-former agent swore to me that the film’s budget was so big it would never see the light of day, and this just would keep me employed until the next Broadway audition season started!

Director: Uh, Chad, maybe don’t mention the budget –

Chad: (Back to Audience Member 1) You know, no one tells you that when you’re the so-called “star” that everyone else in the world now thinks they own you!  People somehow found out where I live and now camp on my front lawn regularly, stealing my mail even when I locked the box, following me when I go food shopping, coming up to me while I’m running on park trails demanding a copy of my chicken-scratch signature which I can’t even read, and asking while I’m at the dentist’s office about how I live and feel as if I was this character when – hate to burst your bubble – I never read any of the source material this dude’s based on!

Audience: (Collectively) <GASP!>

Director: Maybe we should hear from some of your co-stars now –

Chad: (Grabs the table microphone and stands) And another thing: I don’t appreciate having my entire life scrutinized from birth, or my family and friends harassed for details on everything I’ve ever done, or my dating life now ruined because I can’t trust that anyone I may be interested in isn’t actually an undercover stalker!

Audience Member 2: (Stands up at the back of the hall) I LOVE YOU, CHAD!

Chad: (Gestures vaguely in that unseen direction) See?!  See?!  How can you say that?!  I don’t know you!  You don’t know me!  I could be a jerk and you could be a psychopath!

Audience Member 2: YOU ARE SO WISE!  I LOVE YOU EVEN MORE NOW!

Chad: (Back to the general audience, holding the microphone in both hands) I just want to walk down the street in peace again!  Can’t you all just let me walk down the street in peace again?!

Director: (Yanks the microphone out of Chad’s hands and turns back to the audience) Let’s hear it for Chad’s wholehearted dedication to the craft!  (Audience applauds politely)

Audience Member 1: (Hands the microphone back to the crew member and sits) I guess I’m done, then.

Chad: (Sits back on the chair and lowers his head onto his arms on the table; muffled) I don’t even get the rest of my pay until after the film’s released!

Director: So!  Let’s have another question from the audience!

Audience Member 3: (Stands and is handed the microphone from the same crew member) Hello, my question is for Priya –

Priya: (Had been staring at Chad who is sitting next to her, quietly sobbing; she now sits forward to speak into the table microphone) Yes, hi!

Audience Member 3: You’ve been a superstar yourself for a number of years – have you had all this like Chad, only worse?

Priya: Unfortunately, yes.  (Pats Chad on the shoulder) Hate to say it, kid: even though they’ll take it easier on you than they do me, it only goes downhill from here.  (Chad groans loudly into his arms)

Director: (Mops sweat off brow with an event flyer) Any questions out there related to the actual film?!  Please?!

Audience Member 4: (Stands while looking at a phone display and is given the microphone by the crew member, who had taken it from Audience Member 3) Yeah, I’m reading here that the movie’s release just got cancelled `cause it went way over budget.  Is that true?

Director: (As Chad sits up suddenly) Well, to my knowledge, we are right on track to – (Hears phone buzzing and reads a message) Huh.  (To the actors at the table) Well kiddos, word from above says there’s not going to be a movie now since apparently my vision didn’t match their budget.  I call that them being cheapskates rather than me being unable to deal with finances properly, but the bottom line is disappointment to say the least.

Audience and Most of the Cast: Argghhhh…..

Chad: (Stands with arms raised in triumph and runs out stage left) YESSSSSSSSSSSS!!!!!!!!!!!!!!!!

Director: (In the ensuing silence) Whelp, at least somebody here got a happy ending out of all this.

Story 457: The Unbiased Film Critic

Unbiased Film Critic (online video channel)

1.5M subscribers

Video #1,372: “Unbiased Review of The Reason for Existing”

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(Unbiased Film Critic is seated in an overstuffed armchair, looking and sounding extremely haggard while holding an energy drink with the logo blurred out; there is a plain blue background throughout the video)

Unbiased Film Critic: Hello folks, and welcome to Episode Number… I don’t even know what I’m up to on these, of Unbiased Film Critic.  You know the drill: I spend my days and nights watching gajillions of movies made all over the world, and then turn around and give it to you straight, so you can make a well-balanced decision on whether to spend your hard-earned money and hours of your life that you really can’t spare on studio bonuses, suspicious popcorn, liquid sugar, and 30 minutes of commercials before, during, and after the film.  (Takes a swig of the energy drink) AND, with the advent of streaming services forcing themselves into every aspect of our leisure time, if you are considering watching a movie there instead of in a theater, I’m here to help you with the cost-benefit ratio of your subscription.  I like to think I provide an invaluable service to the public, otherwise, what is the point of my existence, which I am not even posing as a rhetorical question.  So: today, I’m going to talk to you about the much-anticipated, astronomically-budgeted, in-your-face marketed, awards-bait new release this weekend, The Reason for Existing.  (Shifts in the chair trying to get more comfortable) Let me get this out of the way right now: I hated it.  I thought every single character and corresponding actor – with the exception of the dog, because of course – was the most irritating person it has been my misfortune to witness, either on the silver screen or in everyday life; none of the production design was pleasing to my eyes; the director’s choices in nearly every aspect of the film’s journey hurt my core being; the list goes on.  (Shifts in the chair again) Having said that, I will also attest that this is possibly the greatest film to have ever been created in the history of cinema.  And let me tell you why.

[Opening title card for the video: “Unbiased Film Critic: I Tell You THE TRUTH”]

Unbiased Film Critic: (Takes another swig of the energy drink) I won’t beat around the bush: when I say this film has everything anyone could ever want in a moving picture, I am not saying it lightly.  It covers all the genres, but primarily action, thriller, sci-fi, fantasy, comedy, romance, and documentary; there is a cast of literally thousands – the end credits for them alone took 45 minutes; so many themes are covered that I lost count a tenth of the way in; and the main plot really boils down to: “Why are we here, anyway?”  No one knows for certain, but this film makes the bold attempt in trying to answer that.  There are scores of subplots that I lost interest in, but not one of them was dropped and they all tied in seamlessly with the main story.  The significance of this piece is so immense, that I’m doing one of my rare departures from my solo act and invited a few of the filmmakers to say, in their own words, why this movie was so darn good, as it simultaneously ate away at my very soul.

(Now facing the camera from a different angle with a guest sitting opposite)

Unbiased Film Critic: Joining me today is the film’s soundtrack composer, who is said to have spent two years in prep work alone before writing a single note for this score – (Turns to the guest) is that actually correct?

Composer: Yes, thank you; this film was such a passion project for all of us involved, I really wanted to immerse myself in the world that was being created before I could begin working on even the basic themes for the characters and the piece in general.

Unbiased Film Critic: (Nodding) Uh-huh, uh-huh – and you chose strings as your primary instruments in the score, yes?

Composer: Oh yes, those definitely were the instruments to really capture what we were trying to convey here: the desperation for connection these characters yearned for, that also resonates in all things throughout the universe.

Unbiased Film Critic: Uh-huh.  And as my ears took in sounds akin to a multitude of cats being strangled whilst reciting “The Star-Spangled Banner,” (Composer double-takes) each theme, movement, and change in time signature so aptly fit the evolving narrative and emotional underpinnings of each scene, that I don’t think movie audiences will ever experience the likes of such perfection in orchestration ever again – how did you do it?

Composer: Ummmm… it was a team effort?

Unbiased Film Critic: Really.

Composer: It was a lot of hard work by a lot of talented people.

Unbiased Film Critic: And so it seems.  I will forever be saddled with the ear worm of the tormented souls of the underworld, but rest assured, you have truly created a masterpiece in the flawless union of film and music.

Composer: Ummmm… thanks?

Unbiased Film Critic: You’re welcome.  (They stare at each other for a few moments) OK, we’re done here.

Composer: Oh-thank-goodness.  (Hastily vaults out of the chair)

            (Cut to Unbiased Film Critic facing the front again and now holding several pieces of paper instead of the energy drink)

Unbiased Film Critic: The director of this epic work is currently filming evidence of human rights violations in all 200-ish countries of the world and so, unfortunately, could not join me on this session, so instead I will read from a letter that I had written with my interview questions, and then the response.  (Unfolds the papers while putting on a pair of glasses) I’ll skip the preliminaries and go straight to the meat… ah!  Here it is: (Reads) “Your use of Dutch angles brilliantly conveyed the uncertainty of the characters’ reality and maintained suspense effectively throughout the film, while also giving me an extreme case of vertigo from which, I fear, I may never recover.  Do you make such choices consistently with intention, or is it your unconscious mind that inspires this, dare I say, genius?”  (Turns to another page) Another of my questions was… (Reads) “The cacophony of sounds, visuals, and plot overwhelmed my senses to the point where I needed to spend the remainder of the day and night with the blinds drawn and doors closed to the world, in order to reset my entire body back to default mode – since these elements were so apt in conveying the film’s messages of hope vs. nihilism, did you come up with the entire overloaded palette on your own, or did you collaborate with the screenwriter to create such an effective tour de force of chaos?”  (Unfolds another piece of paper) To which the response was… (Reads) “I’m sorry, were these compliments or are you being sarcastic?”  (Takes off the glasses and faces the camera) I was unable to complete another volley of correspondence before this video needed to be posted online, so I will simply answer that question to my questions with another question: “Do you not know me at all?”

(Cut to Unbiased Film Critic sitting opposite another guest)

Unbiased Film Critic: Here with me now is the aforementioned screenwriter, whose life work has culminated in this story of unbridled mayhem, awkward true lust, irritating personalities, and the true meaning of life.  (Turns to Screenwriter) Welcome.

Screenwriter: (Uncertain) Hi….

Unbiased Film Critic: My question for you is this: with all your characters’ quirks, peccadillos, and off-puttingness in general, did you base them on any actual human beings of your acquaintance in order to make them so true-to-life and meaningful?

Screenwriter: Uhhh… I just wrote what I notice a lot of people are like.

Unbiased Film Critic: (Nodding) Brilliant.  And was the love story, of which the schmaltz practically had me gagging for 129 of the 417-minute runtime, intentionally created to be so resonating and universal from the start, or did some of that come from the actors’ work on the role and their natural, riveting chemistry with each other?

Screenwriter: Uhhh… mostly me, but some of them.

Unbiased Film Critic: Uh-huh.  And the dialogue –

Screenwriter: (Wincing) Yeah?

Unbiased Film Critic: I predicted the punch lines of all the jokes and the outcomes of almost all the arguments.

Screenwriter: Yeah…?

Unbiased Film Critic: This is not a question, but I really must say, those were all so authentic and genuine that I was nodding in agreement for the entire piece, as I simultaneously gripped the front of the armrests of the theater lounge chair to counteract the cringe.

Screenwriter: Uhhh… thank you?

Unbiased Film Critic: (Turns to the camera) I don’t why my interview subjects say it that way.

(Cut to Unbiased Film Critic solo again, back to holding the energy drink)

Unbiased Film Critic: As I wrap this up, I realize that I now need to spend more hours than usual on post-production for this video, which I dread with all my essence.  Once upon a time, I used to write film review articles for newspapers and magazines; I even had my own column for a bit, as some of my more “mature” viewers may remember.  (Empties the can and tosses it into an off-screen bin)  Now, to remain relevant with the kids and maintain a steady income, I had to teach myself to create these videos for the “likes” and “subscribes” and “ad revenue,” cutting into the precious two hours of sleep I get each night after watching film upon film upon film, occasionally having to schedule interviews like the ones you saw earlier, reviewing my notes on the piece to get my thoughts in order, actually filming the videos with five billion takes for every 30 seconds, adding in special effects like clips and sound effects just to keep you all from getting “bored” – which I didn’t bother with this time, because too bad – and then editing everything together to form one coherent piece that takes up enough airtime to justify the commercials.  In short, I myself had to become a filmmaker, in order to continue a career in critiquing films.  Trust me when I say, the irony is not lost.  (Reaches off-screen to grab another energy drink, opens the tab, and takes a swig) In conclusion: The Reason for Existing should and probably will win every film award ever made; you all should go see it if you haven’t already and have your soul filled with profundity; and even if I never see it again, it’s too late for my worn-out nerves.  Thank you for watching, and now I’m off to see “Horror in My Mind” to review for you next – it promises to be another assault on all my senses, that will contain momentous messages on compassion and the true natures of good and evil.  I’ll let you know tomorrow, after I’ve taken a nap, on:

[Title card: “Unbiased Film Critic: I Will Bash Films That I Enjoy Immensely If They Are Absolute Rot”]

Story 428: Not Quite the Part I Auditioned For

 (In a gym, Actor is running on a treadmill while watching a show on the display)

Actor: (Suddenly stops and almost falls off) Wait, that was a cliffhanger?!  (Checks watch) Yeah, I can run for another hour.  (Taps the controls to start the next episode) This better be worth it.

Neighboring Runner: It rarely is.

Actor: I know, right?  (Looks down as cell phone on an arm band rings; pauses the video and slows the treadmill to a walk while answering) Hey, what’s up?

Agent: (On the phone while leaving a conference room) Hey-hey-hey, I’ve got great news for you!  I heard back from the rom-com director today, and you’re in!

Actor: (Muted excitement) YESSSS!!!!!  (Clears throat) That’s, that’s really great news, thanks!

Agent: It gets better: you’re gonna be playing opposite the female lead, you know, the one you’ve been crushing on forever, what’s-her-name.

Actor: (Embarrassed laugh) Well, not really “opposite”; I mean, Best Friend to the male lead would get some screen time with her, I guess; no big deal.

Agent: That’s the best part: you didn’t get the Best Friend role, they decided to go with that stand-up comic everyone wants in all their movies now, you know, what’s-his-name.

Actor: Oh.  Yeah, he’d actually be much better for the part than me, so I can’t be upset.  So, what, I’m Second Best Friend now?

Agent: Even better!

Actor: (Embarrassed laugh again) Don’t tell me the male lead dropped out and I’m now it?

Agent: You’re right, you’re not: you’re playing the Plucky Heroine’s Douchey Boyfriend, yay!

Actor: (Nearly falls off the treadmill again) Whaaaaaat????

Neighboring Runner: You mind relocating your drama somewhere else, please?  I’m trying to hate-watch the series finale of Sword Slash.

Actor: Sorry.  (Shuts off the treadmill, wipes it down, and moves to an unoccupied section of the gym while continuing the conversation in a loud whisper) I don’t understand – why would they cast me as that?!

Agent: I dunno, maybe you gave off a douchey vibe during your audition.

Actor: That wasn’t what I was going for!

Agent: Who cares?  Bottom line is, you now get to be all lovey-dovey with someone you have a thing for, and get paid for it the entire time!

Actor: No I don’t!  I get to be the one who makes her miserable and the audience boos every time I’m on screen!

Agent: Come on, no one actually does that.

Actor: I’ve seen it happen!

Agent: I’m sure it’s all in good fun.

Actor: Whatever – this is a nightmare!

Agent: Don’t exaggerate: it’s just a job, you’ll thank me eventually, now go out there and do your douchiest.

Actor: Argh!

Agent: Oh, one more thing –

Actor: What else could there possibly be?!

Agent: When you start rehearsals, could you get her autograph for me?... Hello?

(At the beginning of filming, the actors and crew are gathered in a coffee house set)

Director: All right everyone, remember the blocking; lighting’s all set up and not moving ever; just do it like you did at the table read and we should get through this with minimal waste and maximum efficiency.  Places!

(Actor and Female Lead go sit on the couch while holding empty coffee cups)

Female Lead: (To Actor) Do you need Makeup again?  You seem a bit sweaty.

Actor: (Briefly touches hairline with a shaking hand) I think it’s the lights – I’ll be fine, thanks.

Director: Action!

(Crew Member holds a clapperboard in front of the camera and shouts out the scene and take number)

Plucky Heroine: You called me a bajillion times last night.

Douchey Boyfriend: (Sips coffee) Well, maybe I wouldn’t’ve had to if you’d answered just once.

Plucky Heroine: I was busy.

Douchey Boyfriend: I bet.  (Slurps coffee a bit too loudly and clears throat)

Plucky Heroine: What is that supposed to mean?

Douchey Boyfriend: It means, I think you were getting busy with that guy you’ve been spending all your spare time with lately, you know, Clive?  Clark?  Clifford?

Plucky Heroine: Brendan?

Douchey Boyfriend: Yeah, that loser.  (Shakily sets the cup down on a nearby table) Guess he’s got something I don’t, huh.

Plucky Heroine: (Glares, speaking with a voice that is deadly low) If you mean he has kindness, and compassion, and humanity, and doesn’t treat me and everyone else in the world like garbage, then yeah, I guess he does.

Douchey Boyfriend: (Stares with wide eyes at Plucky Heroine, speaking with a small voice) I’m sorry.

Director: Cut!

Female Lead: (To Actor) What was that?!

Actor: (Still staring) …Improv?

Director: (To Actor) You: stick to the script!  (To everyone else) Everyone else: pick it up from the next-to-last line!

(Crew member with the clapperboard does bit)

Plucky Heroine: (Glares, speaking with a voice that is deadly low) If you mean he has kindness, and compassion, and humanity, and doesn’t treat me and everyone else in the world like garbage, then yeah, I guess he does.

Douchey Boyfriend: (Glares back) You bi – (Twitches jaw) You – mmmmmm – (Closes eyes briefly, runs hand through hair, then points at Plucky Heroine) You b-eautiful human being –

Director: CUT!  (Female Lead throws her hands up in the air)

Actor: (To Director) I’m sorry, but I just don’t think this guy would be calling her a nasty name if he truly wants her to stay his girlfriend!  (Looks intensely at Female Lead) I never would.

Female Lead: Dude – the character’s a douche, he doesn’t care about her, he just wants to win!

Actor: Well that’s just mean.

Director: Take it up with the screenwriter – now pick it up from your line!

(Crew member with the clapperboard does bit)

Douchey Boyfriend: You b-----.  (Cringes)

Plucky Heroine: No, you’re the b-----.

Douchey Boyfriend: (Gasps) You take that back!

Plucky Heroine: (Stands and flings the coffee cup away; it lands perfectly in a nearby trash can) Never!  I see now what true love really is, and you’re not it!  (Starts to leave)

Douchey Boyfriend: (Follows her on his knees) No, wait, please come back, I love you!

Female Lead: (Spins around) WHAT?!

Director: WHAT?!  I mean, CUT!

Female Lead: (To Actor) What are you doing?!

Actor: (Looks around the entire room staring back) I might have gotten a little carried away; this scene is so emotional….

Female Actor: Get a grip!

Actor: (To Director) Can we take a break?

Director: Please.  Take five everyone, and somebody get me a massage chair for my pounding headache.

Female Lead: (Helps Actor up from the floor) You need some water or a towel there, buddy?

Actor: (Melting) You’re so kind to me.

Female Lead: Uh-huh.  (Sits them both back on the couch) Look, I know you have a thing for me and I make you nervous –

Actor: Heh-heh-heh-heh-heh-nooooo....

Female Lead: You nailed this scene in the table read, so just do whatever you did there, here!

Actor: (Staring at the floor) I wasn’t looking at you during the table read.

Female Lead: Aw, that’s so sweet.  (Lowers voice) Look at the wall, look at the boom mic, look at anything that’ll get you through this before next century, got it?!

(Actor nods quickly, still staring at the floor)

Director: (Pushed onto the set while sitting in the massage chair) All right everyone, places!  Action!

(After the movie premiere in a major theater)

Agent: (To Actor) You did great!  If I didn’t know you for reals, I’d’ve thought you were the biggest jerk alive!

Actor: The ultimate compliment in this business.  (They leisurely stroll out of the theater while the main leads answer questions from reporters) Do you think anyone watching tonight noticed my character never once made eye contact with his own girlfriend?

Agent: With the wonders of editing, you can fake anything.

Story 388: The Perils of Acting With a Friend

 (Actor 2 answers the phone while on set)

Actor 2: Howdy there, talking to you from the sunny beach of an amazingly life-filled desert; how’s life treatin’ ya, buddy?

Actor 1: (Relaxing at home) Funny you should be filming in a desert, since my love life’s a giant one right now.

Actor 2: Awwww.  Sounds boring – bye.

Actor 1: Don’t hang up; I’m actually calling to see if you have any advice on, you know, using my aura of mystery as an actor to snare safe one-night stands.  You used to be quite the pro at that, back when you were a stud.

Actor 2: I’m still a stud!  (Looks around and sees passing crew members are staring, then moves to a more private corner and lowers voice) Just because I’m happily married for several decades doesn’t mean I’m any less of a catch.

Actor 1: I’m sure your wife thinks so.  Anyway, back in the day when you were reeling them in –

Actor 2: Ugh, don’t remind me: I really was a bit much then.

Actor 1: What was your secret?  Body spray?  Piercing contact lenses?  Listening?

Actor 2: All right, fine: back in my less-mature years, when I wanted a little more action in my so-called love life with none of the responsibilities of an actual relationship, I just auditioned a lot for love-interest roles. 

Actor 1: What?

Actor 2: Some parts were decent, but most were rom-coms where half the scenes required make-out sessions with my hot costar.  Although very few of them turned into actual one-night stands, and only after filming wrapped. (Gazes off in recollection) Those were some trashy times.

Actor 1: Seriously?  That’s all it took?

Actor 2: (Shakes out of reverie) Well, you have to actually get chosen for the part, but yeah.  With rehearsals and filming, I fake-scored more times than I did in high school and college combined; it was like a dream.  And I made sure all of my costars felt the same way about those scenes so it was win-win, and everyone went home happy.

Actor 1: And what does your wife think about that dream of yours?

Actor 2: Well, I’m not like that now; she knows it’s just a job, and I keep it all separate in my head so the scenes look good but don’t mean anything to me.  Now that I think about it, I’ve only kissed one costar since I got married, wow.  Go me.

Actor 1: Good for you.  Well, thanks for the tip: I’m off to tell my agent to sign me up for any and all love-interest roles out there, lines or no lines, wish me luck, bye!  (Disconnects the call)

Actor 2: (Pockets the phone) Don’t take just any role, you know: have some professional pride.

 ONE YEAR LATER

 Actor 2: (Answers the phone while at home) Howdy there, talking to you from the comfy couch of my comfy home; how’s life treatin’ ya, buddy?

Actor 1: (Relaxing at home) Got some great news – your advice worked wonderfully, by the way.

Actor 2: Oh goodie; I’m glad you’re feeling satisfied with your love life no one cares about.  I’ve got some great news too, but you go first.

Actor 1: Thanks.  So, I’ve been getting a lot more work lately: that one film we did earlier this year, good parts in a few others, some plays – I’ve noticed the stuff updated to modern times has a lot of R-rated material crammed in there, it’s always kind of weird to do Shakespeare like that –

Actor 2: Yeah, a bit for me too, but I got used to it.

Actor 1: So, very happy with all those special scenes with my special costars, and they’re very happy too, and whaddya know, my agent lands me an audition for one of the main leads in the film version of ---------- everyone wants to be in that’s gonna be hot, hot, hot, and I found out today I got the part!

Actor 2: ….

Actor 1: I don’t hear you congratulating me.

Actor 2: …I found out today I got the part as the other lead.

Actor 1: How’s that?

Actor 2: I’m your costar.

Actor 1: Oh.  I see.  Well, this is awkward.  Guess you’re gonna have to drop out, then.

Actor 2: What?!  Why do I have to drop out?!

Actor 1: I’m not going to simulate funny business with someone I actually know and actually like, and since this is my big break whereas you’re already established in your career, then clearly you should be the gracious one and step aside to make room for someone I would want to chew on a breath mint for.

Actor 2: No way!  I worked out for six months to get in shape for this role, and I am two films away from being cast as “Well-Meaning Parent” forever, so if you feel all weird about it then you’re the one who needs to drop out!

Actor 1: Unacceptable!  And think about this: in about a month you, your wife, and I are meeting up at that children’s charity event – how can I look her in the eye after I’ve stuck my tongue down her spouse’s throat?!

Actor 2: Ew, don’t make me think about it.

Actor 1: And another thing: how I can ever look you in the eye again after that?!

Actor 2: Ewwwwww!   Never mind, we’ll figure something out – it seems this disturbingly X-rated science-fiction dramedy is pivotal to both our careers, so just be professional and do not mess this up for us!

Actor 1: Speak for yourself; I’m doing this for the craft.

Actor 2: You only auditioned because it had love scenes!

Actor 1: Which you’ve now tainted.  You’re a real pal – see you at the table read next week where we get to hear all the bedroom bits dissected in gory detail!

Actor 2: Ewwwwwwwww!!!!

 SEVERAL WEEKS LATER

(On the spaceship bedroom set of the film)

Director: OK you two, ready to run through your first love scene?

Actor 1: No.

Actor 2: (Simultaneously) We are extremely prepared for this.

Director: The Intimacy Coordinator’s gonna work with you now – (To Actor 1) I’ve heard you usually like to “wing it,” but I prefer that everything be choreographed before filming, especially while you’re both still fully clothed.

Actor 1: Awesome.

Intimacy Coordinator: (Enters, nodding at Director who exits) Hello, my lovely lovers!  Get on the bed.

(Actor 2 hops on while Actor 1 gingerly slides on)

Actor 1: Can I just take a nap while you two do your thing?

Intimacy Coordinator: Odd; you loved this part on the last movie we worked on together.

Actor 1: I’ve evolved as an artist since then.

Intimacy Coordinator: Well, have you two talked over what you’d like to do with this scene yet?

Actor 1 and Actors 2: (Not looking at each other) No.

Intimacy Coordinator: Oh dear, that makes this a bit more difficult.  Maybe start with the few lines of dialogue in the beginning and then we’ll start working on where to go from there.

Actor 2: Sure.  (Clears throat and stares at Actor 1) “I have never wanted anyone as badly as I want you.  My love.”

Actor 1: (Staring at Actor 2’s forehead) “Then come and take me… bay-by.”

(They start to lean in for a kiss with lips curled back, then reposition themselves a few times on the bed)

Actor 2: Ow!  That was my shin!

Actor 1: Sorry!  Maybe if I go over here….

Actor 2: Ow!  My other shin!

Intimacy Coordinator: Why don’t you try the kiss first and then move around afterward?

Actor 2: I would if this one’d quit shovin’!

Actor 1: I am not shoving; you need to move over!

Intimacy Coordinator: Would you like to take quick break?

Actor 2: No!

Actor 1: (Simultaneously) Yes!

Actor 2: (Whispers at Actor 1) You are ruining this for both of us!  Just close your eyes and pretend I’m the last costar you fake loved or something!

Actor 1: (Shakes head and whispers back) Nah-uh: your wife invited me over for dinner tonight; I can’t sit across from you two and eat lasagna like it’s nothing!

Actor 2: (Kisses Actor 1 quickly) There – was that so bad?

Actor 1: (Thinks for a few seconds) Ugh, fine, let me try.  (They stiff-arm hug and miss each other’s mouth a few times)

Director: (Re-enters) Hi, sorry to burst in, but I’m gonna have to let you two go from the project – with pay, of course.

Actor 1 and Actor 2: WHAT?!

Actor 1: After all that?!

Actor 2: Yeah – have you even seen my abs?!

Director: Listen, you’re both really talented and I thought we wouldn’t need a chemistry test since you’re worked together before, but I should’ve listened to myself and done one before finalizing casting: we need passionate lovers on this piece, and instead you’re giving me squabbling siblings.

Actor 2: Would it help if we cast my wife instead?

Actor 1: (Stands up to leave) It’s fine: I turned down Naked Macbeth to do this, but they’re still looking so I’m sure they’ll welcome me back with open arms!  (To Actor 2) I consider this a near-miss for our friendship.

Actor 2: (Also stands, and shudders) Yeah, I’ll say.  (Everyone stands awkwardly in silence for a few moments) So, see you at 7?

Actor 1: Yeah – tell your wife I’m bringing lots of champagne.