Story 560: Oblivia, And Then There Were...?

          [A semi-parody of Agatha Christie’s And Then There Were None and all those camp horror movies]

(At night in the woods, five figures sit around a campfire)

Camper 1: So, did anyone else get a weird invitation to come to this campsite and then found a note stabbed to their bunk’s pillow when they got here?  (Others nod and hold up papers with dagger holes in the middle) Thought as much.  Just to make sure we all got the same message – (Opens up another paper with a dagger hole in the middle and reads) “You thought you could get away with it, but you will be judged.  By me.  I will judge you.  Fatally, if that wasn’t clear – ” (Crumples up the paper and tosses it into the fire) it goes on like that for a bit.  I know we’re all strangers to each other, and if this note’s true for all of us then it seems we’re all pretty nasty pieces of work, but considering that there’s no cell phone service out here and all our cars’ tires were slashed somehow after we arrived with no one seeing and the only road in or out is now blocked by a sudden landslide from who-knows-where that happened who-knows-when and I doubt any of us know how to navigate by the stars or even basic cardinal directions to just walk on outta here, then we’re going to have to work together and trust each other to survive.

Camper 2: We’re all gonna die!

Camper 1: Don’t say stuff like that, it’ll start catching!  Anywho, I might as well go first with the trust portion: my crimes are embezzlement, fraud, and egregious telemarketing, and if I’d known that this would be the final result of a lifetime of deceit… yeah, I probably still would’ve done it all again; I made a lot of money.

Camper 2: Well, if my only chance of surviving all this is your physical and emotional support, then here goes: my crime is, in the words of The Bard –

Camper 3: Ugh, Shakespeare, really?

Camper 2: Hush.  In the words of The Bard, my crime is that I am “one that loved not wisely, but too well.”

Camper 3: Ugh, Othello, really?

Camper 4: Talk about inappropriate appropriation.

Camper 2: All right: I run a lonely hearts racket, and after I’ve taken all their money I post embarrassing videos my victims had sent me, for kicks and giggles.  I blur their faces, but they know it’s them.

Camper 3: <Gasp!>  That was you?! 

Camper 2: …Maybe.  There’s so many of us out there; who’s to tell?

Camper 1: (To Camper 3) What’s your story, then?

Camper 3: Oh, I e-mail ransomware viruses to major corporations and make them pay me millions to unlock their systems.  Although, the other day I accidentally attacked my own bank and now I’m locked out of my accounts and it’s been a nightmare getting back in, so I guess the joke’s on me.  I really shouldn’t have received an invite to this whole fiasco, you know – haven’t I been punished enough?

Camper 1: Gross.  (To Camper 4) And you?

Camper 4: Wellllll, I suppose you could say that I make the most of what life has to offer: when I see an opportunity, I grab it with both hands and run away with it, no matter the consequences, no matter the cost –

Camper 1: You’re a porch pirate?

Camper 4: Yeah.  (Briefly holds open one side of a jacket to show an array of accessories) I’ve actually found myself with an excess of smartwatches at the moment, if anyone’s interested.

Camper 1: Maybe later.  (Turns to the fifth figure) And, last but not least: what brings you here?

Oblivia: (Looks up from a game of solitaire that is spread out on the ground) Hm?  Oh: I think I turned off the main road too early – this isn’t the Relaxation Getaway Camp is it?

Camper 1: No, this is the Middle-of-Nowhere Doom Camp.

Oblivia: That’s too bad; probably won’t get my deposit back at this point, either.

Camper 2: Hold on: if you didn’t receive a threatening invitation and supposedly aren’t involved in any of this, how do we know you’re not the one who invited us all here and is planning to kill us, hm?!

Oblivia: (Stares blankly at Camper 2 for a few moments) Oh!  Is this like dinner theater, only an outdoor camp version?  OK, I call dibs on being the last victim!

Camper 2: Are you for real?!

Oblivia: All right, fine, you can be the last victim, then.  I’ll be the detective if no one else wants it.  (The others now stare blankly at Oblivia)  So, anyone here bring s’mores?  `Cause I sure didn’t.

(A masked figure with a roaring chainsaw comes charging out of the woods at them)

Masked Figure: (Raises the chainsaw high) JUSTICE!!!!!

Campers 1-4: AAAAAAAAAAHHHHHHHH!!!!!!!!!!!  (They flee into the woods in four different directions)

Oblivia: (Still sitting at the campfire; points to the chainsaw) Oh hey, does that thing actually work?

Masked Figure: Huh?  (Shakes head briefly, then runs off into the woods) JUSTICE!!!!!

Oblivia: (Starts poking the fire with a stick) Hm: wonder when the guided hike is supposed to start around here?

(In the woods, Campers 2 and 3 crash into each other)

Camper 2: (Holding bruised head) Ouch!  I don’t wanna die!

Camper 3: (Also holding bruised head) It’s OK: as long as we stick together, we’ll be all right!  I think.

Camper 2: Aw, you still want to stick together even after I posed that video of you ugly-crying about your kindergarten birthday party?

Camper 3: It was my second grade birthday party, and I already hacked your social media accounts to post only controversial opinions from now on, so we’re even.

Camper 2: Oh good; I was afraid things between us would be weird.

(They crouch down behind a large tree upon hearing heavy footsteps approaching)

Camper 3: (Whispering frantically) This is it!  What do we do?!

Camper 2: (Also whispering) Run some more?

Camper 3: (Grabs a large fallen branch) I think the time has come for us to fight back!

Camper 2: You’re so brave!  (Starts to retreat to another tree) I’ll cheer you on from over here.

Camper 3: Uh-uh.  (Hands another branch to Camper 2) You’re my back-up.

Camper 2: (Tentatively takes the branch with two fingers) Um… you sure about that?

(They crouch lower behind the tree as the footsteps get louder; they see Masked Figure through the trees stomping their way, closer, and closer, and – )

Oblivia: (Strolls up behind Camper 2 and Camper 3) Oh hey, maybe you two can help: could you point me in the direction of the lake so I can do some moonlight swimming or fishing or something?

Camper 3: (Turning around to Oblivia) You – !

Masked Figure: (Raises the chainsaw and runs toward the group) JUSTICE!!!!!

Camper 2 and Camper 3: (Dropping the branches and running away) AIIIIIIII!!!!!!

Oblivia: (Watching all three run, then shrugs and walks off in the opposite direction) Gotta be around here somewhere….

(Camper 1 arrives at the main bunkhouse, bursts through the front door, and starts frenziedly searching through possessions and beds)

Camper 1: (Muttering) Where’re the knives – where’re the knives – where’re the knives – where’re the – (Opens a closet door and Camper 4 falls out, landing on the floor and clutching four daggers to the chest) OH MY GOSH IT’S HAPPENING!!!

Camper 4: (Spitting out blood) Avenge – me –

Camper 1: I will, I swear it!  But first, tell me – (Grabs Camper 4’s shoulders and stares deeply into the latter’s eyes) did you take my shipment of vintage T-shirts I’d been waiting weeks to arrive?!

Camper 4: (Shifty-eyed) …Well, if the box was just sitting right out there in the open –

Camper 1: Never mind: justice has been served.  (Walks away from Camper 4 and back outside)

Camper 4: …Blast….

(As Camper 1 stands on the bunkhouse steps, deep in thought, Camper 2 and Camper 3 run out of the woods nearby)

Camper 3: Oh good, you’re still alive!

Camper 1: I am – one of us didn’t make it.  (Jerks head back toward the interior of the bunkhouse)

Camper 2: Ew, I don’t wanna see that.

Camper 1: (Descends the steps to join the others) So, we need to come up with a plan to save our skins, fast.

Camper 2: How about we dig a giant pit, line the inside with sharpened stakes, and cover the whole thing with a quilt made out of sewn leaves?

Camper 1: With what tools?  And with what time?

Camper 2: You said come up with a plan fast!

Camper 3: Oh, I got it!

Camper 1 and Camper 2: Yeah?!

Camper 3: We call the cops!

Camper 1: Our phones don’t work!

Camper 3: Oh yeah – why’d I think of that, then?

Camper 2: (Hopping up and down on alternating feet) Ooooh-ooooh – he’s gonna be here any minute, I just know it!

(They all freeze in horror, then slowly turn as they hear quick footsteps coming through the woods)

Camper 1: This is it!  And I still have no idea what to do!

Camper 3: Well, he can’t get all of us if we stay in a group, right?  (The other two look balefully at Camper 3) Right?

(The footsteps get louder and louder)

Oblivia: (Emerging from the woods, holding a flashlight and a water bottle) Oh hey, there you all are – I just finished the moderate trail, which was a joke; anyone want to join me on the difficult trail and see if that’s an actual challenge?

Camper 1: (Points to Oblivia) You!

Oblivia: Me, yes?

Camper 1: (As all three approach Oblivia) He’s not after you!  We’ll use you as a body shield.  (Moves to grab her by the shirt collar)

Oblivia: (Instead grabs Camper 1’s wrist and twists, making the latter writhe and nearly fall, and then lets go) Excuse me, but if you all feel that you’re in such distress, then why don’t you just call the cops?

Camper 3: That’s what I said!

Camper 2: There’s no cell service out here!

Oblivia: Yeah, but I think that thing probably still works.  (Points to a nearby payphone)

Camper 3: Oh, that’s why I said what I said!  I just forgot why I’d said it!

(All four run to the payphone)

Camper 1: (Reads the label) Calls are $1.00?!

Camper 2: Anybody got any loose change?

(They all check their pockets)

Camper 1: (Counting coins on an upturned palm) I have 47¢.

Camper 2: I have nothing.

Camper 3: I only have a penny; I had two quarters, but I wound up throwing them in the tip jar for snacks and coffee at the gas station – the bill was over $30, so they were not happy.

Oblivia: I have a $100, but it’s a fake.

Camper 1: Daaaaaaaaaaang iiiiiiiiiiit –

Oblivia: Wait, I have an idea.  (Picks up the receiver and dials a lot of numbers)

Voice: I’m sorry, 9-1-1 does not accept collect calls.

Oblivia: (Hangs up) Worth a shot.

Camper: Wait-wait-wait, what are we doing, 9-1-1’s a free call!  (Picks up the receiver and dials; there is one ring, then silence) What – ?

Masked Figure: (Pops up from behind the payphone, holding up the roaring chainsaw in one hand and a severed wire in the other) AHA!

(The Campers jump and scream)

Oblivia: (To Masked Figure) Wow, you sure are stealthy.

Masked Figure: I HAVE YOU NOW, AND JUSTICE WILL BE – (Oblivia lobs the flashlight at Masked Figure’s head and knocks him down) OW!  Hey!

Director: (Bursts out of the woods with several crew members) CUT!  What just happened?!

Actor 1: I dunno, Boss, you told us to keep going no matter what.

Actor 2: Yeah, I thought maybe she was a new hire you brought in to keep us on our toes or add to the authenticity or something.

Oblivia: (In a small voice) What is going on…?

Director: I can’t believe this – we’re thousands over budget on a no-budget slasher, and now we’re on the verge of scrapping the whole thing because we can’t secure the set!

Actor 3: Can’t you just delete the messed-up parts and shoot over those?

Director: You know I’m using 8mm film!

Oblivia: Ooh, old school.

Director: (To Actor 4, who was helped back up to standing by the crew) Are you OK?

Actor 4: (Lifting up the mask and rubbing a growing bruise on the head) I think so, but I still can barely see a thing in this mask.

Director: Don’t worry about that – it makes you lumber around all over the place, which looks great.  (To the others) All right, just keep going and we’ll fix it in post.  (To Oblivia) And you –

Oblivia: Yes?

Director: Just watch, OK?

Oblivia: That’s mainly what I’ve been doing.  It’s been a lot of fun so far – you got any activities like this planned for tomorrow?

Director: We’ve gotta be out of here by tomorrow: our permits expire by then and the Scouts are coming in to hike the bird watch trail!

Oblivia: Oh, that’s too bad.

Director: (Walking back to the woods with the crew members as Actor 4 lowers the mask in place) Pick it up from “I have you now” – aaaaaaaand ACTION!

Masked Figure: (Raises the roaring chainsaw overhead) I HAVE YOU NOW, AND JUSTICE WILL BE SERVED!

Campers 1-3: (Holding each other in terror) OH NO!

Oblivia: (Yawns) This is getting a bit repetitive – let me know how it ends in the morning, yeah?  Thanks.  (Turns away and walks into the bunkhouse as the other four watch)

Masked Figure: …YAHHHH!!!!

Campers 1-3: WAHHHH!!!!

(Masked Figure chases Campers 1, 2, and 3 into the woods again as Oblivia picks her way through the mess that Camper 1 had made earlier, then trips over Camper 4)

Oblivia: Oops, sorry.  (Sees the daggers sticking out of Actor 5’s chest) You OK?

Actor 5: (Spits out some more red liquid) Actually, could you grab me some water, please?  This stuff tastes disgusting.

Oblivia: Sure.  (Fills up a glass of water and hands it down to Actor 5)

Actor 5: Much obliged.  (Gulps the water, then swishes and spits out the mess back into the glass)

Oblivia: Whelp, I’m going to bed – you gonna be all right down there?

Actor 5: Oh yeah, just... waiting.

Oblivia: Cool-cool.  (Dives onto a bunk without changing into pajamas, tucks the blankets under her chin, and sighs in contentment) Well, that was something different.  I wonder if they’re all having as much fun as I am?

Story 549: How to Get the Vacation You Want

            (In a break room, Director and Second Assistant Director are sprawled out on opposite ends of a couch, each reading and marking up copies of the same script)

Director: (Abruptly lowers the script) I really want to go to Fiji this year.

Second Unit Director: (Not looking up) Why?

Director: Because that’s where everyone says they want to go on vacation, so I wanna go there, too.

Second Unit Director: I’d actually rather go somewhere cold, like Reykjavík.

Director: You’re a weirdo anyway – fact is, I really wanna go on vacation somewhere that I can pretend is in its own bubble of paradise for at least four days and three nights, but I’m working back-to-back projects all the time that I can never do anything fun anymore.

Second Unit Director: Well, that pretty much comes with the territory when you advance through the filmmaking ranks to become “The Director”.

Director: Doesn’t mean I have to like it!  (There is a knock on the door) What?!

Production Assistant: (Opens the door and sticks head into the room) Boss?  DP wants to do another take of Scene 317 in five.

Director: (Coolly) You can tell “DP” that just because the word “Director” is in the title it does not mean that dictates can be made to the entire company, and also that the other word “Photography” is the one that should be minded instead!

Production Assistant: Says we’re gonna lose the light coming in from the windows in less than an hour.

Director: Oh, the light, the light!  Fine, I’ll be right out.

Production Assistant: Thanks, Boss.  (Ducks out)

Director: (To Second Unit Director) You see what I mean?  Even my work time is taken away from me for other people’s work time – (Shakes the script in emphasis) I can’t even concentrate on blocking scenes because “we’re gonna lose the light!”  (Flings away the script dramatically and flings self back onto the couch, also dramatically)

Second Unit Director: (Flips through pages of the script thoughtfully, stopping at a point) You know, those scenes that take place during the war probably need to be filmed on location.

Director: (Holds head in aggravation) Ugh, don’t remind me!  I’ve squeezed as much of the budget as I could on special effects so we could film on the soundstage, but I just know no one’s gonna buy the war bits unless they’re legitimately outdoors.  How’m I gonna transport thousands of cast, crew, and equipment on a literal shoestring?!

Second Unit Director: I dunno, but however you manage it, it probably could be filmed in Fiji.

Director: (Head pops up) Eh?

Second Unit Director: Or somewhere similarly tropical, where they don’t mind us messing up the place as long as we clean up afterward.

Director: I don’t follow: even in a new location, I’d still be overworked and undervacationed.

Second Unit Director: It’s basically a busman’s holiday: you’re working, but you’re really on vacation.  Or, you’re on vacation, but you’re really working – depends on what mood you’re in is how you’d feel about the whole thing, I suppose.

Director: (Stares off into the distance while performing mental calculations) Five days of filming… downtime for scene changes… no night shoots needed so free time then… build in two days for inevitable travel delays… this might actually work.

Second Unit Director: Of course it will: it won’t be a stress-free holiday, sure, but you’ll get your tropical paradise getaway in 10-15 minute increments, at least.

Director: (Looks back at Second Unit Director) This is the answer to everything – you’re an absolute GENIUS!

Second Unit Director: Darn tootin’ – does that mean you’ll finally promote me from Second Unit Director to First Assistant Director?

Director: I’ll certainly think about it!  (Leaps off the couch with the script and runs to the door, then turns back) Hold on – shouldn’t you be off filming the background shots for the auditorium scene?

Second Unit Director: Already did it: your current First A.D. is the one who’s missing deadlines.

Director: (Cringes) Oh – right – I should get on that.  (Runs out of the break room to the main sound stage where a large crowd is gathered) All right, everyone, listen up!  (The crowd turns to face Director) I don’t know how, I don’t know when, and I don’t know where, but pack your bags because sooner rather than later we are filming Scenes 551-578 on location!

Cast and Crew: Yaaaaaayyyyyy!!!!!... Ohhhhhh….

Director: What?

Director of Photography: What location, exactly?

Director: Someplace Fiji-like – I haven’t figured out the logistics yet, but that’s the First A.D.’s job anyway.

First Assistant Director: (Stops biting nails on hearing title) Huh?

Director: So anyway, all you all need to know is, this is happening.

Director of Photography: But the light –

Director: THIS IS HAPPENING!

THREE-AND-A-HALF WEEKS LATER

(On a tropical island’s beach in the early morning, Director stands barefoot in the gently lapping surf while staring at the calm ocean)

Director: Ahhhhh… paradise at last.  (Closes eyes, breathes in the sea air and exhales it fully, turns around to face the beach, and whips out a megaphone) All right, everyone, let’s pick up the pace here, I want to start filming in 10!  (Walks back onto the beach that has been taken over by the film’s cast, crew, and equipment)

Stunt Coordinator: (Jogs up to Director) You want us to run through the combat choreography between takes today, Boss?

Director: If you like, but only if you feel it’s necessary – just make sure your team’s relaxed and pampered.

Stunt Coordinator: Boss?

Director: I mean, limber and pepped up!

Stunt Coordinator: Got it.  (Jogs away)

Actor: (Jogs up to Director) Boss, I hate to be a stick in the mud, but the Sun and sand here are really doing a number on my skin.

Director: (Distractedly while picking up and examining a huge seashell) Oh?  How so?

Actor: I’m all puffy and peeling everywhere, and the combination is exponentially worse than either one of them would have been on its own.

Director: (Tosses away the seashell) Well, that’s what Makeup Department’s for – (Finally faces Actor and double-takes) Whoa!  Yeah, that is pretty bad.  (Starts looking around the beach and whips out the megaphone again) Makeup!  Would someone from Makeup get over here please and fix this disaster!  We’re starting in eight!

Production Assistant: (Jogs up to Director as Actor is taken away by someone from Makeup, and holds out a satellite phone) Boss, someone from some parasailing company said they wanted to speak with you – think it might be a scam?

Director: Ooh, no, I’ll take it, thanks.  (Takes the phone and talks while walking through the beach checking on equipment and people) Hi, thanks for calling me back – listen, my main question for you is, what’s the exact weight limit on those things, hm?... Well, I’m gonna have a heavy-duty film camera, two phones, and a boom mic in addition to… my average human weight…. I know you offer video packages, but I’m doing this for something less amateur, and I’m not supposed to be in the shot anyway…. No, please be very emphatic that they do not dunk me in the ocean at the end; do you want to see a grown adult bawl like a baby after damaging thousands of dollars’ worth of equipment?!

Former Second Unit Director, Now First Assistant Director: (Jogs up to Director) Hey, Boss?

Director: (To the phone) We’ll finalize the details later – tell the boat captain I want at least a solid hour up in the air, OK-thanks-bye!  (Ends the call and turns to First Assistant Director): Yep?

First Assistant Director: We’re ready to start filming but the gentle breeze has been whipping up the sand and it’s gunking up the equipment.

Director: So just shake it all out!

First Assistant Director: It’s not exactly that simple….

Production Assistant: (After listening to another crew member) Boss, we’ve got some rogue crabs wandering onto the set, and we’re not sure how to shoo them off without crushing them or getting our toes pinched.

Director: Gimme a minute.  (Turns to the ocean and raises both arms straight up)

First Assistant Director: What are you doing?!

Director: Mountain pose; AKA: Tadasana.  I had to cut my yoga session short this morning so I’m trying to finish it up now.  (Flattens down to the ground, then rises up to cobra pose) Should be done in about 15 minutes.  (Inhales loudly)

First Assistant Director: We’re filming in two!

Director: (Exhales loudly) Right.  Forgot.  (Jumps back up and whips out the megaphone again) Places, everyone!  Let’s make some movie magic!

Production Assistant: But what about the crabs?!

Director: (Lowering the megaphone) Dig a trench or something around the set – that should make them think twice about trespassing, I’ll bet. 

(First Assistant Director and Production Assistant jog back into the fray while shaking their heads in exasperation and passing Resort Employee who is being escorted by a security guard)

Resort Employee: (Approaches Director while holding out a tray with a drink that has a mini-umbrella sticking out of it) Your non-alcoholic strawberry daiquiri?

Director: Ah yes, perfect timing.  (Takes the drink while handing Resort Employee a tip) Keep `em coming, will you please?

Resort Employee: (Deftly pocketing the tip) Gladly.  (Leaves with the security guard)

Director: (Facing the main part of the outdoor set while speaking into the megaphone again) Aaaaand… action!  (Sets down the megaphone and lounges in a beach chair placed in front of a bank of monitors while the scene commences, leaning back to take a nap) Yes indeedy, I sure could get used to filming on location, all – the – time.

Story 515: Fame Without Celebrity

             (In a lecture hall at a convention center, a session begins that will feature the stars of an upcoming blockbuster film)

Director: (Standing on a stage next to a long table with microphones and nameplates at intervals for each chair and addressing the audience) Hello, nerds!

Audience: (Applauding wildly) Woooooooooo!!!!!!!!!!

Director: Thank you for spending your hard-earned or nonexistent money to come here today and listen to us tease a movie that’ll premier at least a year from now, if we’re lucky.

Audience: (Applauding wildly again) Woooooooooo!!!!!!!!!!

Director: And now, without further ado, here are the stars you’ve all come to see!  (Flings out the arm not holding the microphone toward stage left, where several actors enter smiling and waving at the audience and then sit at table with their matching nameplate)

Audience: (Now standing while applauding wildly) WOOOOOOOOOO!!!!!!!!!!

(One actor, whose chair is at the exact center of the table, enters last wearing a cap with his head tucked down and not smiling or waving as he zooms straight to the seat and sits in a slouch, hands folded in his lap and not looking up)

Director: (Smiling fondly at the group) My shining film family: what a journey we’ve taken, what adventures we’ve shared, what stories we have to tell.  Forever friendships made through our shared journey… (Almost all the actors at the table nod in agreement) that’ll end with us probably never seeing each other again after we finish the publicity tour.  Now – (To the audience) where’s our first question for our lil’ gang here?  (Sees a crew member bring a microphone to an audience member) Yes, you first – hi!

Audience Member 1: Hi!  (Points to the actor seated at the center of the table) My question is for Chad right there, who seems to be hiding from us; hiiiiiii Chaaaaad!

Chad: (Lifts head up slightly) Hi.  (Heads goes back down)

Audience Member 1: So, my question is, how does it feel to be suddenly thrust into superstardom when you landed the lead role in this humongous film that millions of fans of the franchise have been begging to see for literally decades?!

Audience: Squeeeeeee!!!!!

Chad: (Looks up slightly) How… does it feel?

Audience Member 1: Yes, especially since you’ve been in the industry for a while in only supporting roles, and now, all at once, you are IT!

Director: (Applauding with the audience and co-stars) Yeah, Chad!  I had final say on casting him, by the way.

Chad: (Thinks for a few moments) Well… it feels....

Director: (As the moments stretch into uncomfortable silence) Pretty cool, I bet, right?

Audience: Ahahahahahaha!

Chad: Actually, the whole thing kind of stinks.

Audience: Ahahaha – ha?

Chad: (Leans forward to speak more into the table microphone) I mean, I liked my career – my life – the way it was: it was steady work and I could go out and do pretty much whatever I wanted.  When I got this role, I figured, “Sure, whatever, bump in pay, right?”  Little did I know, I was signing an invisible contract that meant life as I knew it was now over!

Director: Heh-heh; oh Chad, we all know the perils of fame –

Chad: (To Director) Do we?!  I only auditioned for the part because my now-former agent swore to me that the film’s budget was so big it would never see the light of day, and this just would keep me employed until the next Broadway audition season started!

Director: Uh, Chad, maybe don’t mention the budget –

Chad: (Back to Audience Member 1) You know, no one tells you that when you’re the so-called “star” that everyone else in the world now thinks they own you!  People somehow found out where I live and now camp on my front lawn regularly, stealing my mail even when I locked the box, following me when I go food shopping, coming up to me while I’m running on park trails demanding a copy of my chicken-scratch signature which I can’t even read, and asking while I’m at the dentist’s office about how I live and feel as if I was this character when – hate to burst your bubble – I never read any of the source material this dude’s based on!

Audience: (Collectively) <GASP!>

Director: Maybe we should hear from some of your co-stars now –

Chad: (Grabs the table microphone and stands) And another thing: I don’t appreciate having my entire life scrutinized from birth, or my family and friends harassed for details on everything I’ve ever done, or my dating life now ruined because I can’t trust that anyone I may be interested in isn’t actually an undercover stalker!

Audience Member 2: (Stands up at the back of the hall) I LOVE YOU, CHAD!

Chad: (Gestures vaguely in that unseen direction) See?!  See?!  How can you say that?!  I don’t know you!  You don’t know me!  I could be a jerk and you could be a psychopath!

Audience Member 2: YOU ARE SO WISE!  I LOVE YOU EVEN MORE NOW!

Chad: (Back to the general audience, holding the microphone in both hands) I just want to walk down the street in peace again!  Can’t you all just let me walk down the street in peace again?!

Director: (Yanks the microphone out of Chad’s hands and turns back to the audience) Let’s hear it for Chad’s wholehearted dedication to the craft!  (Audience applauds politely)

Audience Member 1: (Hands the microphone back to the crew member and sits) I guess I’m done, then.

Chad: (Sits back on the chair and lowers his head onto his arms on the table; muffled) I don’t even get the rest of my pay until after the film’s released!

Director: So!  Let’s have another question from the audience!

Audience Member 3: (Stands and is handed the microphone from the same crew member) Hello, my question is for Priya –

Priya: (Had been staring at Chad who is sitting next to her, quietly sobbing; she now sits forward to speak into the table microphone) Yes, hi!

Audience Member 3: You’ve been a superstar yourself for a number of years – have you had all this like Chad, only worse?

Priya: Unfortunately, yes.  (Pats Chad on the shoulder) Hate to say it, kid: even though they’ll take it easier on you than they do me, it only goes downhill from here.  (Chad groans loudly into his arms)

Director: (Mops sweat off brow with an event flyer) Any questions out there related to the actual film?!  Please?!

Audience Member 4: (Stands while looking at a phone display and is given the microphone by the crew member, who had taken it from Audience Member 3) Yeah, I’m reading here that the movie’s release just got cancelled `cause it went way over budget.  Is that true?

Director: (As Chad sits up suddenly) Well, to my knowledge, we are right on track to – (Hears phone buzzing and reads a message) Huh.  (To the actors at the table) Well kiddos, word from above says there’s not going to be a movie now since apparently my vision didn’t match their budget.  I call that them being cheapskates rather than me being unable to deal with finances properly, but the bottom line is disappointment to say the least.

Audience and Most of the Cast: Argghhhh…..

Chad: (Stands with arms raised in triumph and runs out stage left) YESSSSSSSSSSSS!!!!!!!!!!!!!!!!

Director: (In the ensuing silence) Whelp, at least somebody here got a happy ending out of all this.

Story 457: The Unbiased Film Critic

Unbiased Film Critic (online video channel)

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Video #1,372: “Unbiased Review of The Reason for Existing”

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(Unbiased Film Critic is seated in an overstuffed armchair, looking and sounding extremely haggard while holding an energy drink with the logo blurred out; there is a plain blue background throughout the video)

Unbiased Film Critic: Hello folks, and welcome to Episode Number… I don’t even know what I’m up to on these, of Unbiased Film Critic.  You know the drill: I spend my days and nights watching gajillions of movies made all over the world, and then turn around and give it to you straight, so you can make a well-balanced decision on whether to spend your hard-earned money and hours of your life that you really can’t spare on studio bonuses, suspicious popcorn, liquid sugar, and 30 minutes of commercials before, during, and after the film.  (Takes a swig of the energy drink) AND, with the advent of streaming services forcing themselves into every aspect of our leisure time, if you are considering watching a movie there instead of in a theater, I’m here to help you with the cost-benefit ratio of your subscription.  I like to think I provide an invaluable service to the public, otherwise, what is the point of my existence, which I am not even posing as a rhetorical question.  So: today, I’m going to talk to you about the much-anticipated, astronomically-budgeted, in-your-face marketed, awards-bait new release this weekend, The Reason for Existing.  (Shifts in the chair trying to get more comfortable) Let me get this out of the way right now: I hated it.  I thought every single character and corresponding actor – with the exception of the dog, because of course – was the most irritating person it has been my misfortune to witness, either on the silver screen or in everyday life; none of the production design was pleasing to my eyes; the director’s choices in nearly every aspect of the film’s journey hurt my core being; the list goes on.  (Shifts in the chair again) Having said that, I will also attest that this is possibly the greatest film to have ever been created in the history of cinema.  And let me tell you why.

[Opening title card for the video: “Unbiased Film Critic: I Tell You THE TRUTH”]

Unbiased Film Critic: (Takes another swig of the energy drink) I won’t beat around the bush: when I say this film has everything anyone could ever want in a moving picture, I am not saying it lightly.  It covers all the genres, but primarily action, thriller, sci-fi, fantasy, comedy, romance, and documentary; there is a cast of literally thousands – the end credits for them alone took 45 minutes; so many themes are covered that I lost count a tenth of the way in; and the main plot really boils down to: “Why are we here, anyway?”  No one knows for certain, but this film makes the bold attempt in trying to answer that.  There are scores of subplots that I lost interest in, but not one of them was dropped and they all tied in seamlessly with the main story.  The significance of this piece is so immense, that I’m doing one of my rare departures from my solo act and invited a few of the filmmakers to say, in their own words, why this movie was so darn good, as it simultaneously ate away at my very soul.

(Now facing the camera from a different angle with a guest sitting opposite)

Unbiased Film Critic: Joining me today is the film’s soundtrack composer, who is said to have spent two years in prep work alone before writing a single note for this score – (Turns to the guest) is that actually correct?

Composer: Yes, thank you; this film was such a passion project for all of us involved, I really wanted to immerse myself in the world that was being created before I could begin working on even the basic themes for the characters and the piece in general.

Unbiased Film Critic: (Nodding) Uh-huh, uh-huh – and you chose strings as your primary instruments in the score, yes?

Composer: Oh yes, those definitely were the instruments to really capture what we were trying to convey here: the desperation for connection these characters yearned for, that also resonates in all things throughout the universe.

Unbiased Film Critic: Uh-huh.  And as my ears took in sounds akin to a multitude of cats being strangled whilst reciting “The Star-Spangled Banner,” (Composer double-takes) each theme, movement, and change in time signature so aptly fit the evolving narrative and emotional underpinnings of each scene, that I don’t think movie audiences will ever experience the likes of such perfection in orchestration ever again – how did you do it?

Composer: Ummmm… it was a team effort?

Unbiased Film Critic: Really.

Composer: It was a lot of hard work by a lot of talented people.

Unbiased Film Critic: And so it seems.  I will forever be saddled with the ear worm of the tormented souls of the underworld, but rest assured, you have truly created a masterpiece in the flawless union of film and music.

Composer: Ummmm… thanks?

Unbiased Film Critic: You’re welcome.  (They stare at each other for a few moments) OK, we’re done here.

Composer: Oh-thank-goodness.  (Hastily vaults out of the chair)

            (Cut to Unbiased Film Critic facing the front again and now holding several pieces of paper instead of the energy drink)

Unbiased Film Critic: The director of this epic work is currently filming evidence of human rights violations in all 200-ish countries of the world and so, unfortunately, could not join me on this session, so instead I will read from a letter that I had written with my interview questions, and then the response.  (Unfolds the papers while putting on a pair of glasses) I’ll skip the preliminaries and go straight to the meat… ah!  Here it is: (Reads) “Your use of Dutch angles brilliantly conveyed the uncertainty of the characters’ reality and maintained suspense effectively throughout the film, while also giving me an extreme case of vertigo from which, I fear, I may never recover.  Do you make such choices consistently with intention, or is it your unconscious mind that inspires this, dare I say, genius?”  (Turns to another page) Another of my questions was… (Reads) “The cacophony of sounds, visuals, and plot overwhelmed my senses to the point where I needed to spend the remainder of the day and night with the blinds drawn and doors closed to the world, in order to reset my entire body back to default mode – since these elements were so apt in conveying the film’s messages of hope vs. nihilism, did you come up with the entire overloaded palette on your own, or did you collaborate with the screenwriter to create such an effective tour de force of chaos?”  (Unfolds another piece of paper) To which the response was… (Reads) “I’m sorry, were these compliments or are you being sarcastic?”  (Takes off the glasses and faces the camera) I was unable to complete another volley of correspondence before this video needed to be posted online, so I will simply answer that question to my questions with another question: “Do you not know me at all?”

(Cut to Unbiased Film Critic sitting opposite another guest)

Unbiased Film Critic: Here with me now is the aforementioned screenwriter, whose life work has culminated in this story of unbridled mayhem, awkward true lust, irritating personalities, and the true meaning of life.  (Turns to Screenwriter) Welcome.

Screenwriter: (Uncertain) Hi….

Unbiased Film Critic: My question for you is this: with all your characters’ quirks, peccadillos, and off-puttingness in general, did you base them on any actual human beings of your acquaintance in order to make them so true-to-life and meaningful?

Screenwriter: Uhhh… I just wrote what I notice a lot of people are like.

Unbiased Film Critic: (Nodding) Brilliant.  And was the love story, of which the schmaltz practically had me gagging for 129 of the 417-minute runtime, intentionally created to be so resonating and universal from the start, or did some of that come from the actors’ work on the role and their natural, riveting chemistry with each other?

Screenwriter: Uhhh… mostly me, but some of them.

Unbiased Film Critic: Uh-huh.  And the dialogue –

Screenwriter: (Wincing) Yeah?

Unbiased Film Critic: I predicted the punch lines of all the jokes and the outcomes of almost all the arguments.

Screenwriter: Yeah…?

Unbiased Film Critic: This is not a question, but I really must say, those were all so authentic and genuine that I was nodding in agreement for the entire piece, as I simultaneously gripped the front of the armrests of the theater lounge chair to counteract the cringe.

Screenwriter: Uhhh… thank you?

Unbiased Film Critic: (Turns to the camera) I don’t why my interview subjects say it that way.

(Cut to Unbiased Film Critic solo again, back to holding the energy drink)

Unbiased Film Critic: As I wrap this up, I realize that I now need to spend more hours than usual on post-production for this video, which I dread with all my essence.  Once upon a time, I used to write film review articles for newspapers and magazines; I even had my own column for a bit, as some of my more “mature” viewers may remember.  (Empties the can and tosses it into an off-screen bin)  Now, to remain relevant with the kids and maintain a steady income, I had to teach myself to create these videos for the “likes” and “subscribes” and “ad revenue,” cutting into the precious two hours of sleep I get each night after watching film upon film upon film, occasionally having to schedule interviews like the ones you saw earlier, reviewing my notes on the piece to get my thoughts in order, actually filming the videos with five billion takes for every 30 seconds, adding in special effects like clips and sound effects just to keep you all from getting “bored” – which I didn’t bother with this time, because too bad – and then editing everything together to form one coherent piece that takes up enough airtime to justify the commercials.  In short, I myself had to become a filmmaker, in order to continue a career in critiquing films.  Trust me when I say, the irony is not lost.  (Reaches off-screen to grab another energy drink, opens the tab, and takes a swig) In conclusion: The Reason for Existing should and probably will win every film award ever made; you all should go see it if you haven’t already and have your soul filled with profundity; and even if I never see it again, it’s too late for my worn-out nerves.  Thank you for watching, and now I’m off to see “Horror in My Mind” to review for you next – it promises to be another assault on all my senses, that will contain momentous messages on compassion and the true natures of good and evil.  I’ll let you know tomorrow, after I’ve taken a nap, on:

[Title card: “Unbiased Film Critic: I Will Bash Films That I Enjoy Immensely If They Are Absolute Rot”]