Showing posts with label film crew. Show all posts
Showing posts with label film crew. Show all posts

Thursday, January 28, 2021

Story 376: Necessary Accessories

 At 6:30 in the morning, Actor returns home from the gym and immediately prepares an energy drink before embarking upon morning meditation; breathing cycles are harshly interrupted by the cell phone ringing.  Actor open an eye to peek at who is calling, then turns off the sounds of chanting monks to answer.

“This better be good – you’re interrupting one of my many daily routines.”

“I can’t keep track of what you do from minute-to-minute; are you up to your 5-mile run yet?” Agent asked.

“No, that’s after breakfast at 7:30, not before!”

“You sure are regimental in, you know, living.”

“I told you, if I’m ever gonna get anywhere in my career I need to live the superstar lifestyle now, so I’ll already have perfection when I ultimately achieve my rightful success and glory!  So why’re you calling me this early, we don’t have our daily update until 4:00?”

“`Cause I wanted to let you know ASAP that your success and glory may finally be here: you got the part in the new --------- film.”

Actor almost dropped the phone: “Eh?”

“Congratulations: table read’s in London on Monday, rehearsals start there the following week, then it’s off to Tunisia for six months’ filming.  I’d appreciate if you brought me along for at least some of this as your valet or something – I never get to go anywhere fun.”

“But – this is a joke – I blew that audition!”

“Guess that’s what they were looking for, then; just keep doing that and you’ll be fine.  Oh, and sign yourself up for some survivalist training or military boot camp or one of those things before you fly out on location, you’re gonna need it.”

Actor bristled slightly: “I thought we’ve already established I am in excellent shape.”

“Oh you are, it’s just that filming will be in a desert and you’re gonna be, you know, wearing all that stuff.”

“What stuff?”

“You know: makeup, prosthetics, couple of wigs, several layers of capes, a few extra limbs – ”

“Hold it, hold it: who told you this?”

“Casting director.  Did you even read the character description?  You’re playing a full-out creature, 50 lbs of accessories and all.”

“But I thought – everything’s motion-capture now so I assumed – ”’

Agent burst out laughing.  “‘Motion capture?!’  Have you ever even seen a

--------- film?!”

“Don’t be snarky: of course I’ve seen his movies, and he has used updated tech!”

“Rarely, and only if something’s not working out in post-production and he can’t get the actors back in time to reshoot.  That’s why everyone loves his movies, they look so real!  Which means you’re going to be spending 12 hours a day getting buried in material before spending another 12 hours running around in 110°F weather pretending you’re reclaiming your home planet.  Have fun!”  There was a click as Agent ended the call.

Actor stared at the phone, all sense of serenity gone.  “Wait, when do I get to sleep during all that?”

In Tunisia on the first day of filming, Actor enters the makeup trailer at 3:00 in the morning.  The makeup artists are wired, having been there for over an hour already.

“Welcome!  Have a set!”  Lead Makeup Artist gestures to what appears to be a dentist’s chair.

“Uh…” Actor hesitates before being tossed onto the chair by the other makeup artists; then, the work begins.

Four hours later, Actor wakes up from a doze to see in a large mirror that a new face, maroon eyes, towering ears, a mouthful of fangs, three extra arms, and multiple heavy wigs had been added during the interval.  Other co-stars also had arrived in the trailer in the meantime and are partially through their less-involved transformations.

Co-Star in the next chair over, almost done with just a wig, minimal makeup, and an extra nose, gives Actor a thumbs-up: “Lookin’ good!”

Actor stares back, frozen in place: “I can’t feel my skin.”

“No worries: they usually streamline the process by the end of filming – you’ll be here an hour or two less by then, I bet.”  Co-Star hops out of the chair and leaves the trailer, whistling.

“I hate you now,” Actor whispers to the departing figure’s reflection in the mirror.

Lead Makeup Artist leans toward Actor’s actual ear: “Don’t struggle, please.”

“Huh?”

Three makeup artists flip Actor over and start adding four sets of wings and a prehensile tail.

“Can I take a short break to eat and use the bathroom, please?” Actor manages to choke out while smushed through a hole in the chair.

“Should’ve thought of that before the sun rose, dearie,” Lead Makeup Artist replies while painting a layer of glue all over Actor’s back.

Two hours later, Actor is lifted out of the chair by film crew members, set on a trolley, and wheeled to the costume trailer.  Set Costumer looks up and down at Actor, who would be naked if not covered in latex, human hair, horse hair, various species of bird feathers, and sequins, then declares: “This will need some adjustment.”

Actor stands with arms and legs sticking out, from necessity: “Can’t I just go out like this?”

“And waste all this material?!”  Proceeds with a mini-army to spend two hours draping and pinning layers of cloth over, around, under, and through Actor, finishing by using a suture kit to lace up thigh-high boots that have mini-rockets attached to the heels.

Set Costumer stands back to take in the view: “Magnificent!  My best work yet!”

Actor gingerly starts to move, then freezes: “Do you know if all the stuff the other group put on me’ll stay on when I sweat?  All the moisture inside is starting to migrate out.”

“Not my department.”  Set Costumer shoves Actor onto the trolley for the waiting film crew members to wheel that outside where Director, co-stars, and remaining film crew members are set up for the movie’s first scene, located in an open area amongst the sand dunes with the noon sun beaming happily upon them all.

Director stares at Actor being tipped off the trolley to baby step onto the ground, then mutters to Assistant: “Find a way to speed up that one’s prep without omitting any of the feathers.”  Assistant nods while taking notes; Director then addresses the entire assembly for the first time since rehearsal: “All right, this is Day 1 of filming and we’re already three weeks behind schedule, let’s move!”

Actor blinks rapidly as the surroundings swim slightly, then finds the mark and faces the other co-stars in their positions.  The Second Assistant Camera with a slate runs towards the main camera.

Why Are We Doing This?: Episode -3, Scene 207, Take 1!”  Claps the slate and runs off as Director yells “Action!”

Actor takes a deep breath, clenches a primary fist, grits fangs, glares in character at co-stars who also glare back in character, and proclaims:

“…Line?”

Thursday, April 30, 2020

Story 339: This Love Scene Has Too Much Dialogue


(In a trailer on a movie set, Actor 1 preps in front of a large mirror)
Actor 1: (To Mirror) OK, Champ, get this scene right and your fans’ll swoon forever.  Mess it up, they’ll think you’re a goofball and end your career.  (Narrows eyes at mirror) Why am I even talking to you about this – you’re a piece of furniture.  (There is a knock on the door; in a sing-song voice) Who is it?
Actor 2: Your co-star – can I talk to you for a minute?
Actor 1: Umm, OK.  (Actor 2 enters) You know, we have the scene today: you really shouldn’t see the bride before the wedding, heh-heh-heh.
Actor 2: Yeah, about that.  (Drops a copy of the large script onto the makeup table) I assume you’ve read it by now.
Actor 1: Why yes, we’ve all read it by now; I was at the table read.
Actor 2: I meant, really read it.  As in, completely memorized it?
Actor 1: (Fidgets with a blush applicator) Oh, well, today’s just for blocking where our feet and other bits’ll go –
Actor 2: No, it isn’t, our awesome leader wants it done by end-of-day.  As in, ready for post and no reshoots.
Actor 1: (Drops the applicator) What?  But – not even a walk-through?  We’re still doing reshoots on everything else; we’ve barely even acknowledged this scene exists yet; why isn’t today like any other day-in-the-life?
Actor 2: Director hates love scenes and wants it finished as quick as possible.
Actor 1: They’re the one who wrote it!  (Picks up the script) And, I have to say, this has to be the wordiest love scene ever written, in any medium.  By the way, I’ve never actually filmed one of these before, so I’m a little nervous.
Actor 2: Don’t be: there’ll be a bajillion crew members watching, they take forever to film, and you spend half the time waiting for the cameras and lights to be reset.  So you’re telling me you haven’t memorized the lines yet?
Actor 1: Well, no; honestly, I’ve been putting it off, it’s just so – word-heavy.
Actor 2: Yeah, I’ve been having trouble with it, too.  Every time I think I’ve got it down, it turns out I forgot a page.  Whelp – (Scoops up the script) nothing for it except to get through it.  See you in 20.  (Leaves the trailer)
Actor 1: Wait!  (Runs to the door and sticks head out) What if I’m not, you know – (Whispers) in the mood in 20?
Actor 2: Pretend you’re somebody who is – that’s our job.
Actor 1: True; cheers.
(Twenty minutes later, a bajillion crew members have set up a fake hill in front of a fake sunset)
Director: All right everyone, let’s get this over with – the only reason we’re even doing this scene is `cause the executive producer insists on the hot leads making out in every movie.
Actor 1: What?!
Director: (Sits in a chair) Places!
(Actors 1 and 2 find their marks)
Actor 2: (To Director) I was thinking – you mind if we try going with the moment on this, you know, trimming a bit if we feel our characters can’t find the words –
Director: You will read every single word I wrote or you’ll hear from The Guild, is that clear?
Actor 2: Loud and.
Director: (To Actor 1) You: throw that away somewhere.
Actor 1: This?  (Holds up a script covered in highlighter and notes) Um, is it OK if I set it on this large rock right over here –
Director: Get it out of the shot!
Actor 1: Gone!  (Tosses the script off to the side, nearly taking out a crew member) Sorry!
Director: Never mind that – places, again!  Don’t make me repeat myself, again!  (Actors 1 and 2 find their marks again) All right, you two better have the love literally pour off the screen, and Action!
Actor 1: (Starts to turn toward Director) Wha – ?
Actor 2: (Turns Actor 1’s face back) “Why did you follow me out here?”
Actor 1: Oh.  “Don’t you know?”
Actor 2: (Walks slightly away downstage) “No, I don’t understand; I don’t understand anything anymore, everything in my life is so out of control lately, what with The War and all.”
Actor 1: “Ah yes.  The War.”
Actor 2: “And the labor organizers protesting at Father’s factory, threatening to blow up the works when all they want is a good vision plan for once – I sympathize, but when I have to cross the picket line to work on the production line just to keep the place running – oh, I just don’t know what’s right anymore.”
Actor 1: (Places a hand on Actor 2’s shoulder) “I understand.  I feel for you every time I have to shake my protest sign in your face, knowing we are on opposite sides of every type of moral, political, social, religious, and spiritual issue, but – ”
Director: You forgot “philosophical.”
Actor 1: (Winces) Ah, shoot.
Director: Go back to “knowing.”
Actor 1: (Looks up to remember) Uh, uh, OK: “Knowing we are on opposite sides of every type of moral, political, social, philosophical, religious, and spiritual issue, but you must also know The Truth.”
Actor 2: (Turns to face Actor 1, who drops hand) “And what Truth is that?  The Truth that we are all alone in the universe?  That we are all alone on this planet, even though we are surrounded by billions of our fellows?  That two people can know everything about each other and yet still be strangers?  That – that – that – ” Line?
Director: (Makes a sound of disgust) “That two people can never really know what the other is thinking?”
Actor 2: (Nods quickly) “That two people can never really know what the other is thinking?”
Actor 1: “Surely, you must know what I am thinking?”
Actor 2: “Surely, I do not.”
Actor 1: “Take a guess.”
Actor 2: “I have no idea.”
Actor 1: “Not even a tiny inkling?”
Actor 2: “Not even a little bit.”
Actor 1: “Need me to spell it out for you, then?”
Actor 2: “Please speak plainly; I cannot bear circumlocution.”
Actor 1: “And I cannot bear the thought of you…” um, “you…” um, “you – ”
Director: “Living one more second”!
Actor 1: “And I cannot bear the thought of you living one more second without knowing The Truth!”
Actor 2: “And what Truth is that?”  (Actor 1 slightly shakes head) “The Truth that we are – ”
Director: You already did that part!
Actor 2: Oh right – line?
Director: Did you guys memorize this or not?
Actor 2: I don’t think that’s what comes next.
Actor 1: We did memorize it, but we thought today would be more for blocking –
Director: You are finishing this scene today if it takes all night!  (Crew members groan) Oh pipe down – you get overtime.  Me, I get a five-figure pittance, so you two “lovebirds” had better get on the ball and sell this thing, ASAP!  Now, back to “The Truth”!
Actor 2: OK, here we go.  (Shakes out arms and stamps feet a few times) “And what Truth is – ”
Director: No!
Actor 2: “What is it?!  Tell me!”
Actor 1: “That I, for the past seven and two-thirds years, have adored you, worshipped you, treasured you, loved you from afar, so far afar, beyond all the mountains, all the trees, all the oceans, all the tributaries, all the – (Bites lower lip) canyons, all the – savannahs, all the – glaciers, all the – the – ”
Actor 2: (Nods encouragingly) “Fjords”?
Actor 1: Yes!
Director: [Grinds teeth]
Actor 2: “All the fjords, all the archipelagos!  I could go on, but when my heart is full of emotion, words fail me.”  (Falls to one knee and grasps Actor 2’s hands) “My darling, my sweet, my angel, do not answer if the answer is ‘No,’ but if the answer is ‘Yes’ will you say it so?”
Director: Ugh, didn’t realized that rhymed – I’ll cut the last bit.  Proceed.
Actor 2: “Oh, my darling, my sweet, my angel, with all my full heart the answer is ‘Yes!’”  (Leans in to kiss Actor 1)
Director: You skipped a page!
Actor 2: Oh drat, I did it again.
Actor 1: Can we take a break?  I’m just not feeling it.
Actor 2: Excuse me?!
Actor 1: (Hisses) You know it’s not you!
Actor 2: Right, sorry.
Director: No breaks!  We are finishing this, do you hear me?!
Actor 1: Sure thing!  Line?
Director: You – !  (Phone rings) I hate my life.  (Answers the phone) What do you want?!... Uh-huh…. Uh-huh…. Uh-huh…. OK, thanks, love you too, bye.  (Disconnects the call and stands) All right everyone, strike the set: scene’s been cut.
Actors 1 and 2: WHAT?!
Director: Movie runtime’s too long; love scene’s first to go.  Take your precious break and be ready to do the volcano rescue sequence in an hour.  (Stomps off as crew members begin tearing down the hill and sunset)
Actor 2: (To Actor 1) Well, that’s a relief.  I have to admit I was focused on the lines so much that I really just wasn’t feeling it, either.
Actor 1: Good thing it got cut, then.  The relationship itself made no sense: the scene could’ve had 10,000 lines and still no one would’ve bought it.