(In
a rundown auditorium, a harried-looking man in the fifth row is the only one sitting
in the audience)
Visionary
Director: (Consulting a clipboard) All right, backstage – next!
(Two
Acrobats enter from stage right, hauling a portable trapeze set)
Visionary
Director: OK, what’s your story?
Acrobat
1: She’s from Germany, I’m from Austria, and we –
Visionary
Director: I didn’t mean your life story, I meant what’s your shtick?
Acrobat
2: We fly through the air with the greatest of ease.
Visionary
Director: Go ahead, then. And for
liability reasons, please note: it’s not a gimmick – there really is no money
left in the budget for safety nets.
(The
Acrobats swing around for a minute, somersault through the air a bunch of
times, and catch each other when they finally land)
Visionary
Director: And?
Acrobat
1: …And that’s it.
Visionary
Director: I will offer you my parting words of wisdom: this circus is a place
of magic, of wonderment, of delight, of mind-boggling and physics-defying feats
of fantasy, and you just handed me garbage that anyone with all their limbs
intact could do.
Acrobat
2: (As they exit) We’ll take our amazing talents elsewhere, and good day to
you!
Visionary
Director: I’m sure there's plenty of room at B.B. and the Bros.! OK, who’s next?
(A
Unicyclist enters the stage)
Visionary
Director: Get out!
Unicyclist:
But I also juggle –
Visionary
Director: Unless you can also ride that thing up the walls and across the
ceiling, it means nothing to me. Next!
(The
Unicyclist exits and a woman holding a bow and quiver enters)
Visionary
Director: So what’s your bit?
Contortionist:
I fold my body up into impossibly small shapes and finish by firing arrows with
my feet.
Visionary
Director: I’ll bite: show me what you’ve got.
(The
Contortionist does her thing)
Visionary
Director: Hmmmmm… pass.
Contortionist:
(Still folded upon herself with her feet holding the bow) Oh come on!
Visionary
Director: Listen, this show needs zip, this show needs zing, this show needs
ooh, this show needs ahh, and this show needs all that kicked up to the
infinite degree – there’s a reason why this is called “Circus of the Sol” and not
“Circus of the So-Far-Away-I-Can-Barely-See-It-Proxima-Centauri,” do you get my
drift?
Contortionist:
I also can levitate five feet mid-contortion.
(Does so)
Visionary
Director: You’re in – next!
(The
Contortionist hand-walks off the stage in glee while a Clown enters)
Visionary
Director: No clowns!
Clown:
I don’t understand – there are clowns in your shows!
Visionary
Director: Not obvious ones! Out!
(The Clown
exits, red shoes squeaking)
Visionary
Director: Next!
(A
mysterious-looking trio descends from the ceiling, surrounded by silks and dry
ice. After they not-quite-land, they
begin performing magic tricks)
Visionary
Director: Hold it!
(The three freeze)
Visionary
Director: Can you all do the exact same routine upside-down?
(The three
silently consult each other, then nod in agreement)
Visionary
Director: Good – you can ascend from the stage and we’ll hook you up to wires during
the last third of the first act. Just
make sure you keep changing how far away from the floor you are at all times.
(The three nod
in agreement)
Visionary
Director: You can disappear now.
(They do)
Visionary
Director: (Consulting his clipboard again) Is it too much to ask for people
to make a bit of an effort to transport audience members into a world of
wonder? Performers are so lazy these
days. Next!