Story 198: Why Does the Moon Do That?!

She stood at the edge of the shore, staring at the full Moon in the daytime sky as the high tide smacked her feet.

“All right, what’s wrong,” her brother mildly grumbled, resenting the delay as he dragged his boogie board behind him.  “You’re usually in there before I am, and I don’t see any sharks today.”

“I just got to thinking – ” she started.

“Stop!”  He tried to cut her off at the philosophical pass.  “We’re in beach mode, and the only time you should be thinking is when you’re caught in a rip tide.  Or when you lost where our umbrella is, `cause then you’d be wandering forever, again.”

She still had not looked away from the Moon.  “I got to thinking about that,” she pointed at it.  “And the waves, and the tides.”

“Yeah?  So?”

“Well, we all just accept that the Moon’s gravity makes the tides high and low and all that.”

“Yeah?  So?”

“So if the Moon’s that powerful, why isn’t it affecting us the same way?”

“Huh?”

“I mean, look at those massive waves!”

“Yes!  Look at those massive waves that you are making me miss!”

“And that water’s pretty dense and heavy, right?”

“Uh… I guess?”

“So how come we aren’t being pulled around like that?”

“Cause we’re not water?”

“But we’re lighter than the entire ocean, and it’s constantly being pushed around by a giant rock millions of miles away, so how come nothing else is getting pushed around?!”  She was very disturbed by this.  “Why not your board, why not that jellyfish, WHY NOT THAT BABY?!”

“Take it easy; you’re gonna start freaking people out,” he said as he subtly began to  disassociate himself from her.  “Look, I don’t remember physics class that much at all, but I’m sure there’s other stuff besides the Moon doing this, and it’s something in the water itself that lets the Moon act on it like this and leave the rest of us alone.  As should you.”

“Does it?”

“Does it what?”

“Leave us alone?”  She stared in horror at the faint satellite.  “Look at it up there, hovering like a ghost, pulling on us and trying to take us away from our planet – I bet our own blood is being drawn toward it as we speak.”

He now looked at the Moon as if really seeing it for the first time, feeling an uncomfortable sense of dread with the once-familiar object having such control over their lives.  He shook it off in the next moment.

“I’ve wasted too much time talking about this with you: either it’s going to fall out of its orbit one day and kill us all, or it’s going to keep on as it always has, but either way I’m not going to let you make me spend another thought on it.”  He did as he promised and jumped into the roiling sea for some serious shredding.

She continued to stare at the Moon and the waves, both of which now seemed ominous.  The walls of water mindlessly rearing up and crashing forward, ever forward, had become intensely creepy.  What if there were no more Moon up there? she thought.  Would these waves be as insistent as they are now?  If the Moon orbited closer and closer to Earth, would the ocean waves continue forever until they fell off the planet and landed on the Moon they so desperately reached for?  Would all things on Earth do the same, given the chance?

She really regretted watching that movie last night about planets colliding – her summer vacation was absolutely ruined.

Story 197: Misadventure on the Simplon-Orient Express

(Not exactly based on a true story – just based on the combination of seeing the trailer for the latest version of Murder on the Orient Express and a dream I recently had)

(Spoiler Alert: the solution to the mystery is included below)

(As the train is ready to depart from the Stamboul (Istanbul) station, The Count joins “Mrs. Hubbard” at her table in the dining car; both speak very low to each other)

“Mrs. Hubbard”: We shouldn’t be seen together, we’re all supposed to be strangers here – and don’t you dare use my real name.

The Count: I know, I know, but I wanted to ask the moment immediately before the train embarks on our fateful journey: is it too late to back out now?

“Mrs. Hubbard”: You want to kill this guy as much as anybody else here!

The Count: In theory yes, and he absolutely needs killing, but since I’m really here more for my wife’s sake than mine, this method of revenge hasn’t been sitting too well with me lately.  You think maybe instead we could use the first half of his M.O., and just blackmail him forever?

“Mrs. Hubbard”: Nothing less than his blood spilled by all of his living collateral victims will do, and don’t even think about – oh hell, what’s he doing here?

(The Count turns to where she is looking and sees Hercule Poirot, The World’s Greatest (Totally Not Fictional) Detective™, daintily taking a seat at a table in the back of the car and nodding at “Mrs. Hubbard” and The Count in extremely polite, missing-nothing acknowledgement of their staring at him)

The Count: (Turning back to “Mrs. Hubbard”) That’s it, we’ve been made, let’s call the whole thing off.

“Mrs. Hubbard”: (Hisses) Absolutely not!  I’ll come up with a convoluted backstory for us if we’re grilled later, but we won’t be, because we’ll be long gone soon after our guy is dead, and The World’s Greatest (Totally Not Fictional) Detective™ or not, M. Poirot could never in a million years figure out that it actually was all of us who did it!

The Count: I won’t take that bet.

(The train begins to leave the station)

“Mrs. Hubbard”: (Staring sharply out the window) Hang on – we’re missing someone.

The Count: You sure?  You missed this last guy until he got here.

“Mrs. Hubbard”: I saw him waddle aboard but didn’t know who he was until now.  No, there’s 13 of us and I only counted 12 in our group who came on.

The Count: Sure you’re not including our target in your original count?

“Mrs. Hubbard”: That would make 14 of us!

The Count: Oh.  Right.  So who’s missing?

“Mrs. Hubbard”: (Looks up for a few moments to review her mental list) It’s The Secretary/Governess.  Confound it: undone by the underpaid help! 

The Count: We still can go ahead and do it without her, right?  She’ll only miss out on the justice, is all.

“Mrs. Hubbard”: (Glares at him) It has to be all of us, or instead of being glorious, it’ll just be one big old mess!

The Count: Oh dear.

(Back at the Stamboul train station, The Secretary/Governess is speaking agitatedly with a Railway Employee)

The Secretary/Governess: You don’t understand, I got stuck in traffic, and I can’t get on just any old Orient Express, it has to be that Orient Express!

Railway Employee: Well, miss, you may have to settle for the Occidental Express then, yuk-yuk.  (Is choked by The Secretary/Governess)

The Secretary/Governess: How many stops before it hits the snowy middle of nowhere?!

Railway Employee: (Chokes out) Two!  Sofia and Belgrade!

The Secretary/Governess: When’s the next train to Sofia?!

Railway: Employee: Not until tomorrow!

The Secretary/Governess: (Releases him and runs away) Oh it’s all ruined, ruined!  (She pulls a man out of his car and drives it to Sofia)

(At Sofia, she screeches to a halt at the train station)

The Secretary/Governess: (To a Railway Employee who looks suspiciously like the one at the Stamboul train station) What time does the Orient Express arrive here?!

Railway Employee: In the past: 12 hours ago, to be precise.

The Secretary/Governess: Blast!  (Drives off)

Railway Employee: How vulgar.

(At Belgrade, she screeches to a halt at the train station)

The Secretary/Governess: (To a Railway Employee who looks suspiciously like the one at the Sofia train station) Did the Orient Express arrive yet?!

Railway Employee: Been and gone, reeking of evil and misguided justice.

The Secretary/Governess: You never saw me!  (She speeds off to the snowy middle of nowhere on bald tires)

(Once in the mountains, The Secretary/Governess commandeers a passing dog sled team and travels for a day until she crashes into the train itself, which is at a standstill under a mini-avalanche.  After picking herself out of the snow, she scrambles on board with her suitcase, sheds her furry winter wear, and runs through a passenger car until she finds an empty stateroom she can break into.  Sorting herself out, she makes her way to the dining car to subtly insert herself into the group of passengers as if she had always been there; she arrives to find everyone assembled in a meeting and now staring at her)

The Secretary/Governess: Good morning, all!  Sleep well?

(Everyone looks sick, except for the man standing at the other end of the car who is facing the rest)

Poirot: Ah, mademoiselles!  Thank you for joining us!  I was just explaining to the fine people here in minute detail how they all conspired to execute a kidnapper/murderer/destroyer of lives who had escaped the law, and it seems that you missed all the momentous activity that took place here last night!  It has been a very busy 24 hours, n’est-ce pas?  (He nods to the others, who guiltily nod back)

The Secretary/Governess: I see.  Well, since you all went ahead and did everything without me, I’ll be shoving off then.

“Mrs. Hubbard”: (Stands and points at her) You tardy laborer!  You messed up our beautiful symmetry!

Poirot: Compose yourself, madame, it was already “messed up” without la petite femme’s input.  You all thought you could fool me, The Great Poirot™, eh?

The Valet: We didn’t do it to fool you, we did it to kill him!

Poirot: Mais oui, but the games, the intrigue, the “pretending to be strangers when we actually all belong to the same murder club” – such paltry attempts to deceive Poirot’s Little Grey Cells™!

The Count: We did all that to pretty much deceive anybody else who was here and not in our group; just our luck it was you and not Inspector Lestrade.

Poirot: Exactement!

The Secretary/Governess: Sooooo... seeing as I technically didn’t, you know, kill anybody – can I go now?

Poirot: Ma chère, you have hit upon the denouement: since justice truly has been served, I, Hercule Poirot, The Greatest Detective of All Time and The Embodiment of Ultimate Justice™, have decided – to let you all go and use the story you made up that some stranger boarded the train and killed the victim, since of death he was most deserving.

“Mrs. Hubbard”: You are most wise and just, monsieur.  Especially since we outnumber you 13 to 1 if you’d tried to have us arrested.

Poirot: D’accord.

Story 196: My Fans Ruined My Movie

            The Diversified Artist and his Friend arrived incognito at a small-town cinema.

            “I think we fooled them,” his Friend whispered, lifting up his sunglasses to see better indoors.

            “Ssh!”  The Diversified Artist tried to unobtrusively shush him while raising the collar of his trench coat higher and pulling his wide-brimmed hat lower.  “Don’t spoil it now; I can’t take another mob scene, I just can’t.  They’ll never let me in that mall again, you know.”

           Their ticket stubs were ripped by a suspicious employee who made a mental note to have Security keep an eye on these two.  “Theatre 12, all the way to the right, enjoy the show.”

            “Thanks – you, too!”  Friend said, immediately regretting it and suffering the withering looks.

            They sat in the next-to-last row of the theatre, slumped low enough so that they could still see the ginormous screen but that no one could see their profiles.  As the trailers continued for the next half hour, they spoke in whispers.

            “So I never got to ask you what it felt like filming in all those warlike conditions,” his Friend said.

            “Well, it was a lot of standing and sitting around waiting for the next shot, a lot of dirt, a lot of explosions, and a lot of water,” he spoke around the popcorn.  “I can’t wait to see what the final version looks like – I mean, it was such an honor really, being even a small part of the whole experience, paying tribute in a way to all those soldiers and civilians, but I think I’ll appreciate what they went through so much more when I’m not in the middle of repeating the same line 20 times so we get the scene right, know what I mean?”

            “Yeah, I think I actually do,” his Friend said, then turned to the row behind them.  “That’s odd.”

            The Diversified Artist glanced quickly but saw nothing.  “What is?”

            “Some random pre-teen girls behind us set themselves up with blankets and their phones to watch a World War II movie.  You think they’re in the wrong theatre?”

            “Heh-heh, that’s – oh.  You don’t think – ?”

            “What, that they came here to see you?  Get your head out of your butt, mate, not everyone’s in your fan club.  I know I dropped out ages ago, and I’m your bodyguard.”

            “Still, it’s rather a strange film choice for… people of that demographic.”

            “Maybe they’re extremely mature for their ages.”

           The giggling behind them began, then morphed into persistent whispering as the movie started.

            “Here we go!”  His Friend shook the Diversified Artist’s arm in excitement.

            “Squee!”  A pre-pubescent voice softly screeched behind them.

            World War II in all its harrowing detail marched hypnotically across the screen in cinematic mastery, and all the Diversified Artist could focus on were:

            “You think he worked out super hard for this role?”

          “I can’t believe they made him cut his beautiful hair for something stupid like ‘historical accuracy!’”

            “Ugh, when is he going to show up?  I’m soooo boooored!”

            “You all right?”  His Friend asked him partway through.  “Is the realistic drama getting to you or something?”

           “I can’t concentrate with them talking through the whole thing!”  The Diversified Artist hissed through gritted teeth.

            “Just tell them to shush, or I can get them kicked out if you want.”

           “No!”  He whispered even lower.  “They’ll see it’s me and it’ll be another mob scene or they’ll forever turn on me, and either way the movie’s ruined for everybody!”

            “Oh, there you are!”  His Friend softly exclaimed at the screen. “Wow, you weren’t kidding: you are extremely dirty.”

            “There he is!  Yesssss!!”  The voices chimed in.

            “He is sooooo cute!!!”

            “I can’t wait to see his show next year; are you going?”

           Several adult voices around them “Ssh!”ed, and the pre-teens clammed up for about 10 minutes before resuming a steady murmur throughout the rest of the movie.

            His Friend sniffled during the climactic rescue scene and leaned towards him to say softly: “I’m not afraid to admit that all this heroism is moving me tears.”

            “OMG, you think his skin’ll ever recover from all that gross stuff that got on him?”

            He ground his teeth and gripped the arms of his chair tighter.

           When the movie ended and the house lights turned on, his Friend had to pry him out of his seat; he was shaking and could not look behind him until the gaggle had skipped out of the theatre.

            His Friend gushed quietly as they headed to the lobby: “Good show, mate; I never really knew much about those events, and what those people did there was truly inspiring.  This proves what cinema is all about – showing us the suffering of other people and making us appreciate what they sacrificed for us.”

            The Diversified Artist exploded in a whisper: “I’m glad you do, because those punks certainly don’t!  I can’t believe they used my movie debut to turn a really moving and insightful war film into a slumber party!  And you just know that this isn’t the only time that’ll happen!  I’m so embarrassed!”

         “Don’t be,” his Friend said.  “It’s not your fault when people are ignorant; just do what everyone else does nowadays and shame them on the Internet.”

            He did the next best thing by appealing to his fans to be respectful of the film’s material and of their fellow audience members when they inevitably went to see this movie for the third time that week.

            “OMG, it must have been me he saw there!  I am so going to film his scenes the next time we go.”